AJ Logo
AJ HOME AJ BLOGS

Tommy T
Tommy Tompkins' extreme measures


Monday, November 22, 2004
    Why Johnny Can't Read (But Boy Can He Shoot)

    Parents who've had trouble pulling their youngsters fingers from the video Uzi so that they'll do some homework should rejoice. The Scottish firm Traffic Games have developed a unique way to package history and horror that will enable your child to study while piling up combat kills, according to a piece I found this morning at the Aljazeera Website. If that's not enough for you, there's another game out - I can't remember where I saw it - in which the president of the U.S. orders an aircraft career that's hovering 25 miles off the coast of California to pretend that it's way out to sea, so that Mr. Prez - who, in this game is a miserable rich-boy draft-dodger dressed up like a military man - can have a press conference in which he challenges the enemy to "bring it on."

    posted by TommyT @ 12:25 pm | Permanent link
Saturday, November 20, 2004
    Trouble at the Castro Theatre

    There's nothing more annoying when you're having fun than to find out that what you thought was just fabulous entertainment is actually much more than that. But so it is with San Francisco's Castro Theatre, which for the past couple of decades has contributed an important chapter to what is culturally speaking San Francisco's most important - and in these ill times, most embattled - neighborhood. As Bay Guardian arts editor Johnny Ray Huston writes in this week's edition of the paper, "the Castro has fostered an international reputation by remaining steadfast in its dedication to film as an art." Why does it come up for discussion at this particular moment? Because on October 26, Anita Monga - who's programmed the Castro for the past 16 years - was fired. The implications of her dismissal at the political moment are grim.

    posted by TommyT @ 11:59 pm | Permanent link
Saturday, November 6, 2004
    Close Encounters With Carlos Santana

    I've spent some time with Carlos Santana over the years - it's true, about 20 hours, actually - and you might even say we were friends if you only heard my side of the story. But, in fact, Carlos never remembers me even though the last time we sat down - at Fantasy Studios in Berkeley, shortly before the release of Supernatural, I was representing Rolling Stone, and I wore nearly the same clothes I had on the last time he'd seen me officially, when I interviewed him for the S.F. Bay Guardian in the early '90s. Off the record, I said "Sup Carlos" a few months before the Rolling Stone gig poppped up. We were both shopping at the big mall in Corte Madera, over in Marin County, but he must've been pretty involved with what he was doing, because he didn't even hear me.

    Anyway, he heard me during the Fantasy interview, he just didn't remember me. He also didn't remember to send me the Coltrane videos he had promised, but that's another story. Besides, he gave me a big poster of the Supernatural cover - signed and everything. My son framed it and put it up on his living room wall, where it remained until his girlfriend cut up all his clothes with a scissors and threw most of his stuff out the ninth floor window of the place where they stayed. He left after that, and she got evicted. Some homeless guy took what was left of the poster.

    The very first time I talked to Santana was the first time I heard his band, at Woodstock - the B.C. installment. We ran into each other backstage, and we both thought each other was someone important so we were really polite until we realized neither of us was all that. Then we both acted aloof, and above it all... except a few minutes later Santana led his band out onstage and delivered a set to half-a-million strangers (no one on the East Coast knew who he was at the time). After that he'd never have to remember my name or any other name. He had people on the payroll to remember names.

    So why all the memories? So I can tell you about the really great reissue-plus of the first Santana album, called Santana recently released by Columbia/Legacy. The remixed sound just about leaps out of the speakers, and better yet, the second disc has the entire Woodstock set (along with a bunch of not so great early studio work).

    posted by TommyT @ 1:02 am | Permanent link

TOMMY T

TOMMYT home
TOMMYT archives

About Tommy
Tommy Tompkins has been on full alert for most of his adult life, looking for art endowed with sufficient power, wisdom, courage, and grace to save a struggling humanity from itself... More


About Extreme Measures
Extreme Measures comes at you at a time when, as a society, we are experiencing a kind of aphasia; language has been so distorted by corruption of aging institutions and the commercial pressures of an all-consuming, popular culture that our range of motion -- our ability to feel, to dream, to rage beyond the toothless dictates of media and capital -- has been critically circumscribed.
More

Write Me:
2extremes@earthlink.net


Search TommyT


(syndicate this AJblog)

READING LIST

The Reading List
Q: How many Bush Administration officials does it take to screw in a light bulb?



A:None. There is nothing wrong with the light bulb; its conditions are improving every day.  Any reports of its lack of incandescence are a delusional spin from the liberal media.  That light bulb has served honorably, and anything you say undermines the lighting effect.  Why do you hate freedom?

more

TOMMY ELSEWHERE


Cheap shots, anyone? Hell yes, like shooting fish in a barrel - Crosby, Stills, & Nash, to be exact in "Second Time Around," my weekly reissue column in the San Francisco Bay Guardian.

The successful selling of Crosby, Stills, and Nash as one of rock's first "supergroups" was, above all else, a marketing triumph. The insipid folk trio with a penchant for predictable three-part harmonies were packaged as a brilliant, innovative rock band and sold, no questions asked, to a generation that would go on to make history for a consumerism as voracious as its perceptive powers were small...

Read on, please...


Crosby, Stills, and Nash
Greatest Hits (Remastered) (Rhino)


I would have rather been in California than anywhere during those days, and in fact I was in California. Nevertheless, though my ass moved, my ears were another story. Take the O'Jays, for instance, whose blue-collar soul music helped me forget about CS&N's lame folk music.


The core of the O'Jays – Eddie LeVert, Walter Williams, and William Powell – had been together for 14 years when they had their first big hit, "Back Stabbers," during the summer of 1972. Their career had gyrated everywhere except up when they joined forces – for a second time – with Kenny Gamble and Leon Huff shortly after the songwriting-production team formed their label Philadelphia International...



O'Jays
Essential O'Jays (Epic/Legacy)



The flurry of reissues may be proof the music industry is dying, but it's produced a few sublime moments, like the "Deluxe Editions" of the Wailers' Burnin' and Catch A Fire. This piece, titled "Wailin'," ran in the Bay Guardian with Jeff Chang's take on the new Trojan Records box, "This Is Pop.".

DURING SO MUCH rain, one – or, in this case, two – bright spots really stand out. Ever since the birth of Napster and the gloomy end of days for the music business, the reissue industry has been going full tilt. It makes sense on both sides of the commercial exchange. For the labels, there's very little overhead and practically no guesswork; deliver Al Green with a couple of mysterious "alternative takes," perhaps a previously unreleased cut, and remixing or remastering – another mystery...
San Francisco Bay Guardian Wednesday, November 10, 2004

Brian Jonestown Massacre: And This Is Our Music
Pitchfork Media, July 19, 2004

More ELSEWHERES

BLOG ROLL

Sites I like...

L.A. Observed
HipHopMusic.com
TomDispatch.com
Danyel Smith's Naked Cartwheels
Then It Must Be True
Davey D’s Hip-Hop Corner
Pagan Moss Sensual Liberation HQ
Different Kitchen
War in Context
Cursor
Virtual Library For Theater and Drama
Jeff Chang's Can’t Stop Won’t Stop
Usounds Internacionale
Maud Newton
Paris's Guerrillafunk.com
Silliman's Home of the Hits
Negro Please
mp3s please
Boondocks
Oliver Wang's The Pop Life
American Samizdat
Sasha Frere-Jones's SF/J

OTHER AJ BLOGS

AJBlogCentral

Architecture
  Pixel Points
    Nancy Levinson on
    Architecture
Culture
  About Last Night
    Terry Teachout on the arts in
    New York City
  Artful Manager
    Andrew Taylor on the 
    business of Arts & Culture
  blog riley  
    rock culture approximately
  Straight Up |
    Jan Herman - Arts, Media &
    Culture News with 'tude
Dance
  Seeing Things
    Tobi Tobias on dance et al...
Media
  Serious Popcorn
    Martha Bayles on Film...
Music

  Adaptistration
    Drew McManus on orchestra
    management

  Sandow

    Greg Sandow on the future of
    Classical Music
  Rifftides
    Doug Ramsey on Jazz
    and other matters...
  PostClassic
    Kyle Gann on music after the
    fact
Visual Arts
  Artopia
    John Perreault's 
    art diary
  Modern Art Notes
    Tyler Green's modern & 
    contemporary art blog

AJBlog Heaven
  Beatrix
    A Book Review review
  Critical Conversation II
    Classical Music Critics
    on the future of music
  Tommy T
    Tommy Tompkins'
    extreme measures

  Midori in Asia
    Conversations from the road
    June 22-July 3, 2005
 

  A better case for the Arts?
    A public conversation
  Critical Conversation
    Classical Music Critics on the 
    Future of Music
  Sticks & Stones
    James S. Russell on
    Architecture
   In Media Res
    Bob Goldfarb on Media
   RoadTrip
    Sam Bergman on tour with 
   the Minnesota Orchestra


AJ BlogCentral

Home | Terms of Use | Privacy Policy
Copyright ©
2002 ArtsJournal. All Rights Reserved