AJ Logo
AJ HOME AJ BLOGS

Tommy T
Tommy Tompkins' extreme measures


Thursday, September 30, 2004
    L.A.'s brain transplant: Movin' On Up

    I'm not referring to George and Weezie, but in fact to my new hometown - a city whose I.Q. futures are blowing up so large that everywhere you go you see banners with the name "Einstein" floating in the breeze. And that is some smart shit for a city that's supposed to be full of superficial dumbasses. I was driving around without my glasses - I'm sensitive now that I live in L.A. - for about a week thinking the banners said "Eagles." Turns out the Skirball Cultural Center is all over Einstein, and not only that, the exhibit's great. Timely, too - nice to get a chance to toast the guy before everyone starts lobbing the malignant fruits of his labor through the air in an effort to bring peace to the Middle East. Yeah, he was worried sick about what might happen someday, and to tell you the truth, so am I.
    posted by TommyT @ 7:50 am | Permanent link
    Jugglers, Clowns, and Politicians

    The debate doesn't matter. Not one fucking bit. Sorry, because wouldn't things be so much simpler.p>
    posted by TommyT @ 7:19 am | Permanent link
Thursday, September 23, 2004
    Bob Hope deported to Hollywood

    The refusal by the US to allow the former Cat Stevens to enter the country is outrageous -- for those who missed it, Stevens, who changed his faith to Islam and name to Yusuf Islam was sent packing while trying to get off a flight from London the other day. His career has long been over - since back in the day when every other Fleetwood Mac guitarist was in the thrall of one guru or another (no disrespect meant to Islam, or Islam, you dig? It was just going around back then like LSD. Plus I don't believe in any religion, so sometimes I slip). Rumor has it that the R.I.A.A. was behind the move, after seeing an add booking the singer at Konocti Harbor Inn, in Northern California./p>

    If that wasn't bad enough, the next day comic Bob Hope tried to press his luck, traveling in a cyrogenic chamber in a private jet that landed at JFK. Immigration authorities ordered the plane back to hollywood, saying the new war was nothing at all like Vietnam, and Hope's jokes were as dead as he was, and that his services weren't needed. Plus, apparently, the tank - as one airport worker put it - "stunk like shit."/p>

    posted by TommyT @ 8:58 pm | Permanent link
Monday, September 20, 2004
    Astronauts, Astroturf, and Astro-Gel

    I will - for the duration of this post - call the woman in question "Mrs. X" in order to cover my tracks from the flag-flying, terminal redneck lest she take further offense at my opinions and inspire her lardly brother to yank the grimy Budweiser I.V. drip from the rank field of sweat-filled pocks that is his left arm with the spectre of a possible Al Queda safehouse in the 'hood. He's connected; all he has to do is whisper Sadaam in order to rally a posse of wayward Burt Reynolds fans to jumpstart their Firebirds in my direction. That's because I'm staying in Richmond, CA where that kind of thing can happen. Mrs. X, I should explain, is my sister's 60-something-year-old nextdoor neighbor. And she's furious because my car was parked to closely to her driveway. The only thing that cooled her off was when - in response to her question - I told her that I was employed by NASA as an astronaut. For real. She believes me./p>
    posted by TommyT @ 3:04 am | Permanent link
Friday, September 17, 2004
    Mr. James takes the high road

    When Rick James passed on last month, the official spokesperson didn't mean to attribute his death to natural causes, but to the causes you'd naturally expect from the Super Freak, who had nine (9!) different drugs in his system on August 6, 2004, when he lifted off one last time.
    posted by TommyT @ 12:01 pm | Permanent link
Monday, September 6, 2004
    Warner Music, the final frontier

    This call and response between Warner Music and Tony Brummel, the prez of indie Victory Records, came my way via outspoken Angeleno dj-lawyer-insomniac Bob Lefetz - another example of why major labels are a major disaster.

    Dear Partners,

    I want to share with you the news that Warner Music Group has launched a new creative initiative known as the incubator system. This initiative will enable the Music Group to take an innovative approach to forming relationships with independent labels and artists, assisting them in the development of both their artistic and executive talent by offering a variety of services, resources and mentoring that many young labels and artists do not have access to.

    The mission of the incubator system is to develop the independent music executives and artists of tomorrow, with the ultimate goal of identifying promising new artists who have the potential to be superstars at our own labels and to create long-term relationships with the country's most pioneering entrepreneurs.

    The system will focus on both rock and urban music, and is highly flexible in that the array of services and resources we are offering can be tailored to the specific needs and priorities of the individual labels and artists.

    The process of identifying which independent labels and which artists we want to work with will be a collaborative effort involving our labels and a small but extraordinarily talented group of WMG executives who will run the incubator effort.

    The incubator system will be led on the rock side by Fred Feldman, the founder of Triple Crown Records, who has signed and developed such artists as Brand New, Hot Rod Circuit and Northstar. Fred, the former president of Fat Beats Records and general manager of Profile Records, has also worked with artists including Atmosphere, J-Live, Run DMC, Rob Base, 2nd II None and DJ Quik.

    Fred will work closely with Andy Allen, president of our own Alternative Distribution Alliance. When Andy joined ADA from his role as general manager of Island Records in 1994, the company was but one year old. Since then, Andy has grown ADA into the premiere independent distribution company in the U.S. and is ideally suited to support Fred, while continuing to run ADA.

    Todd Moscowitz, who has been at Violator Management for the past three years, will head up the urban incubator (known as Asylum). At Violator, he has worked with artists including Missy Elliott, 50 Cent and Lil' Mo. Prior to joining Violator, Todd was head of Rush Communications and later general manager of Def Jam Records where he spent several years in business affairs and in marketing and promotion.

    Working alongside Todd at Asylum will be Ron Spaulding, who joined WEA in 2003 and most recently has served as Senior VP of Sales. Ron is a veteran sales executive with a proven ability to market releases in multiple genres. He joined WMG from Priority Records in 2000 as Senior VP for Sales at Elektra Entertainment Group, where he oversaw the sales and retail marketing programs for such artists as Missy Elliott, Staind, Metallica, Tweet and Phish, among others.

    Fred, Todd and Ron will report to WEA Corp.'s President John Esposito, rounding out a superb lineup of executive talent. They are poised to do fantastic things with our new incubator system, and this will inevitably lead to a strengthening of our own roster. I trust that you will provide them with your ideas, support and full cooperation.

    Sincerely,

    Lyor Cohen

    From: Tony@victoryrecords.com

    To: lyor.cohen@wmg.com

    To: John.Esposito@wmg.com

    To: edgar.bronfman@wmg.com

    Lyorski,

    This letter must be joke right?

    Your Incubator idea will not work. Any label that goes for this will be attacked, blacklisted and ambushed by the real independent labels that matter. We will look upon them as the Demoniac and they will be crushed.

    Who in the fuck do you think you are going to Mentor? Where do you come up with this condascending bullshit? Feldman is going to be your indie guy? That guy has never even had a real company. If he is going to lead you into battle on the indie front THROW IN THE TOWEL NOW! GIVE UP! SURRENDER! SUBMIT! Trade in your IWC for a Timex! Sell your Maybach and get a Saturn. Move WMG HQ from NYC to Owensboro, Kentucky. Start drinking box wine!

    If you want to deal with real entrepreneurs you had better learn their jargon. You are an employee. You have people that you have to answer to. YOU CAN BE FIRED. A real entrepreneur can do whatever the fuck they please and cannot be fired. This is why your incubator will fail, the eggs will crack and the hatchlings will wither away and die. And, if there are any good eggs they will be short lived after my butler Bentley snatches them to prepare my MORNING OMELETTE.

    Regalez vous avec les oeufs!

    Bisoux,

    Tony

    posted by TommyT @ 1:18 am | Permanent link

TOMMY T

TOMMYT home
TOMMYT archives

About Tommy
Tommy Tompkins has been on full alert for most of his adult life, looking for art endowed with sufficient power, wisdom, courage, and grace to save a struggling humanity from itself... More


About Extreme Measures
Extreme Measures comes at you at a time when, as a society, we are experiencing a kind of aphasia; language has been so distorted by corruption of aging institutions and the commercial pressures of an all-consuming, popular culture that our range of motion -- our ability to feel, to dream, to rage beyond the toothless dictates of media and capital -- has been critically circumscribed.
More

Write Me:
2extremes@earthlink.net


Search TommyT


(syndicate this AJblog)

READING LIST

The Reading List
Q: How many Bush Administration officials does it take to screw in a light bulb?



A:None. There is nothing wrong with the light bulb; its conditions are improving every day.  Any reports of its lack of incandescence are a delusional spin from the liberal media.  That light bulb has served honorably, and anything you say undermines the lighting effect.  Why do you hate freedom?

more

TOMMY ELSEWHERE


Cheap shots, anyone? Hell yes, like shooting fish in a barrel - Crosby, Stills, & Nash, to be exact in "Second Time Around," my weekly reissue column in the San Francisco Bay Guardian.

The successful selling of Crosby, Stills, and Nash as one of rock's first "supergroups" was, above all else, a marketing triumph. The insipid folk trio with a penchant for predictable three-part harmonies were packaged as a brilliant, innovative rock band and sold, no questions asked, to a generation that would go on to make history for a consumerism as voracious as its perceptive powers were small...

Read on, please...


Crosby, Stills, and Nash
Greatest Hits (Remastered) (Rhino)


I would have rather been in California than anywhere during those days, and in fact I was in California. Nevertheless, though my ass moved, my ears were another story. Take the O'Jays, for instance, whose blue-collar soul music helped me forget about CS&N's lame folk music.


The core of the O'Jays – Eddie LeVert, Walter Williams, and William Powell – had been together for 14 years when they had their first big hit, "Back Stabbers," during the summer of 1972. Their career had gyrated everywhere except up when they joined forces – for a second time – with Kenny Gamble and Leon Huff shortly after the songwriting-production team formed their label Philadelphia International...



O'Jays
Essential O'Jays (Epic/Legacy)



The flurry of reissues may be proof the music industry is dying, but it's produced a few sublime moments, like the "Deluxe Editions" of the Wailers' Burnin' and Catch A Fire. This piece, titled "Wailin'," ran in the Bay Guardian with Jeff Chang's take on the new Trojan Records box, "This Is Pop.".

DURING SO MUCH rain, one – or, in this case, two – bright spots really stand out. Ever since the birth of Napster and the gloomy end of days for the music business, the reissue industry has been going full tilt. It makes sense on both sides of the commercial exchange. For the labels, there's very little overhead and practically no guesswork; deliver Al Green with a couple of mysterious "alternative takes," perhaps a previously unreleased cut, and remixing or remastering – another mystery...
San Francisco Bay Guardian Wednesday, November 10, 2004

Brian Jonestown Massacre: And This Is Our Music
Pitchfork Media, July 19, 2004

More ELSEWHERES

BLOG ROLL

Sites I like...

L.A. Observed
HipHopMusic.com
TomDispatch.com
Danyel Smith's Naked Cartwheels
Then It Must Be True
Davey D’s Hip-Hop Corner
Pagan Moss Sensual Liberation HQ
Different Kitchen
War in Context
Cursor
Virtual Library For Theater and Drama
Jeff Chang's Can’t Stop Won’t Stop
Usounds Internacionale
Maud Newton
Paris's Guerrillafunk.com
Silliman's Home of the Hits
Negro Please
mp3s please
Boondocks
Oliver Wang's The Pop Life
American Samizdat
Sasha Frere-Jones's SF/J

OTHER AJ BLOGS

AJBlogCentral

Architecture
  Pixel Points
    Nancy Levinson on
    Architecture
Culture
  About Last Night
    Terry Teachout on the arts in
    New York City
  Artful Manager
    Andrew Taylor on the 
    business of Arts & Culture
  blog riley  
    rock culture approximately
  Straight Up |
    Jan Herman - Arts, Media &
    Culture News with 'tude
Dance
  Seeing Things
    Tobi Tobias on dance et al...
Media
  Serious Popcorn
    Martha Bayles on Film...
Music

  Adaptistration
    Drew McManus on orchestra
    management

  Sandow

    Greg Sandow on the future of
    Classical Music
  Rifftides
    Doug Ramsey on Jazz
    and other matters...
  PostClassic
    Kyle Gann on music after the
    fact
Visual Arts
  Artopia
    John Perreault's 
    art diary
  Modern Art Notes
    Tyler Green's modern & 
    contemporary art blog

AJBlog Heaven
  Beatrix
    A Book Review review
  Critical Conversation II
    Classical Music Critics
    on the future of music
  Tommy T
    Tommy Tompkins'
    extreme measures

  Midori in Asia
    Conversations from the road
    June 22-July 3, 2005
 

  A better case for the Arts?
    A public conversation
  Critical Conversation
    Classical Music Critics on the 
    Future of Music
  Sticks & Stones
    James S. Russell on
    Architecture
   In Media Res
    Bob Goldfarb on Media
   RoadTrip
    Sam Bergman on tour with 
   the Minnesota Orchestra


AJ BlogCentral

Home | Terms of Use | Privacy Policy
Copyright ©
2002 ArtsJournal. All Rights Reserved