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Thursday November
30
- STALLING
IN BOSTON: Arts boosters in Boston look around the country
and see cities encouraging development of arts facilities. But
in Boston, plans for new arts initiatives seem to have stalled
out. "In Boston, it seems, ambitious dreams to incorporate
the arts into major development plans have generally failed."
Boston Herald 11/30/00
- POE'S
MYSTERIOUS CODE: For 159 years, a cryptogram, offered by Edgar
Allan Poe, has baffled puzzle solvers. "Solving it became
the holy grail of the art, with Poe fanatics convinced it would
unlock a secret message from beyond the grave." Now a Toronto
software engineer has cracked the code, and it turns out that...
The Globe & Mail 11/300/00
Wednesday November
29
- AS
BAD AS ALL THAT? Is American culture going to the dogs? Morris
Berman thinks so: His book "Twilight of American Culture"
paints "a copious chamber of cultural horrors: corporate
publishing and the death of small bookstores, New Age platitudes
and spiritual nostrums, ignorant college students and their jargon-ridden
post-modernist mentors ... you get the idea. For blame, Berman
trots out The Usual Suspects: globalization, corporate domination,
endless greed, insidious marketing, the media circus, and of course,
the stupidity and gullibility of the American public." Really?
The Idler 11/27/00
- THEATRE
IN AUSTRALIA: "In the 1970s and early 1980s Australian
theatre was seen as part of an integral social debate about national
identity and self confidence. The advent of serious arts funding
came out of clearly articulated statements on the importance of
the arts, and our politicians were well versed in the reasons
why a funded arts environment was important to a social system.
The arts were seen as a necessary expense, like roads or water."
Now we should enjoy the rewards. Sydney
Morning Herald 11/29/00
- CEZANNE
AS BUSINESS MODEL: "University of Chicago economist David
Galenson charts the sea change from artistic tradition to reinvention,
using the auction prices of paintings as his measure of value.
Correlating the price of a work of art with the age of the artist
at the time of the painting's execution, Galenson mapped the patterns
of success and innovation over the past century in art history.
His essays describe French and American painting, but their relevance
is much broader." Salon 11/28/00
Tuesday November
28
- BRINGING
ARTS TO EDUCATION: Every study shows that children who receive
instruction in art and music are more focused, get better grades
and score higher on standardized tests than children who don't.
So it was something of a small triumph for sanity when the National
Endowment for the Arts and the U.S. Department of Housing and
Urban Development earlier this month announced a $4 million pilot
program to help bring arts instruction to kids living in public
housing. Baltimore Sun 11/28/00
- GETTING
PERMISSION: A new Russian initiative aims to educate Russian
artists about intellectual property and copyright. "Even
though Russia signed up to the international Bern Convention on
copyright in 1994, it is taking time for the copyright mentality
to take root. This has led to confusing and often farcical situations,
such as Russian theater companies being forced to cancel tours
abroad because they never bothered to get permission to stage
the foreign play they intended to bring." St.
Petersburg Times (Russia) 11/28/00
Monday November 27
- REVIVING NEA SUPPORT: Since taking the helm of the National
Endowment for the Arts in 1998, chairman Bill Ivey has been largely
responsible for the NEA’s renewed support in Washington. The Senate
approved a $7 million budget increase this year in part due to
Ivey’s promise to spread NEA dollars around the country and increase
access to the arts in rural areas. Nando Times (AP) 11/26/00
- THE
NEW CAPITALISM: "With Russia’s government strapped for
cash, the country’s sprawling network of great arts institutions
is being forced into the unfamiliar world of commerce. The Russia
Museum is one of the winners, organising an ever-expanding network
of souvenir shops, a web site, and this year a record 15 foreign
exhibitions. None of this has come easy to Russia’s museums and
theatres. For 70 years the former Communist regime paid their
entire budget, and also taught that private enterprise was a sin."
The Scotsman 11/27/00
Sunday November 26
- THE
ORIGIN OF SPECIES: "By now, the pattern is familiar:
Americans invent a piece of pop culture but don't seem to fully
accept it until the British adapt, refine and sell it back as
something new." San Francisco
Chronicle 11/26/00
- CONSIDER
THE ARTIST MANAGER: Artists have no problem with paying managers
commission when they [the artists] aren't earning money but as
soon as they do, some of them become resentful, forgetting the
blood, sweat and tears you have put in over the formative years.
Every manager dreams of discovering and nurturing that talent,
not out of vanity but through entrepreneurial ambition. They have
careers to pursue, but people seem to think they are doing it
for fun." The Observer (London)
11/26/00
Friday November 24
- THE
POLITICS OF ART: There's a federal election going on in Canada,
but none of the candidates or parties seems to want to talk about
culture or the arts, a $22 billion industry in which the government
has some major investments. Ottawa
Citizen 11/24/00
- TOO
TOUGH FOR US: Protests as Canada's Ontario Film Review Board
bans the explicit French film "Baise-moi" from the province.
"If there's a perception that the board is becoming more
hard-line - this decision comes after the board turned down a
re-released version of Penthouse's Caligula last year - there
are others who feel the board is too lenient."
Toronto Star 11/24/00
- BIG
JOB: Gordon Davis takes over the running of Lincoln Center
at a particularly awkward time: the aging arts campus requires
about $1.5 billion of restoration work. And while it's going on,
where are the center's organizations supposed to do their work?
Boston Globe(Newsday) 11/24/00
Thursday November
23
- MUSIC TO THE STUDIO EXECS’ EARS: After reviewing Hollywood’s marketing
and advertising practices, the Federal Trade Commission sent a
letter to Congress stressing the Constitution’s protection of
the entertainment industry and urging voluntary self-regulation
by the studios, rather than federally enforced sanctions. "The
letter elicited a collective I-told-you-so (and probably a sigh
of relief) from Tinseltown types. "We always believed that
both the content and the marketing of movies were protected under
the First Amendment." E! Online 11/22/00
- REASONABLE
PROTECTIONS: "Citing 'significant legal limitations'
and 'substantial and unsettled constitutional questions,' FTC
Chairman Robert Pitofsky concluded that the agency would face
considerable difficulties bringing cases against Hollywood under
existing federal trade laws." Los
Angeles Times 11/22/00
- HOW
WE MAKE CULTURE: Is there such a thing as "the culture?"
"In some ways our thinking about nature on the one hand and
'the culture' on the other has undergone a reversal within a matter
of decades. It used to be that the cultural aspect of ordinary
reality was, by definition, the part most amenable to human transformation,
whereas the natural aspect was seen as having a dynamic of its
own, which was largely out of our hands. 'The culture' is today
the more fearsome realm, or at any rate the more convenient scapegoat,
and the notion that we have only limited influence over it appears
to be widespread." The Atlantic
11/00
Wednesday November
22
- IF
THE SELLER PROFITS FROM OUR WORK, SO SHOULD WE: Australian
artists want a percentage of the sales price when their work is
sold at auction. To reinforce the "request" they've
announced a 12 month moratorium on allowing images of their work
to be reproduced in auction catalogues unless the auction house
pays a five percent copyright fee. The
Age (Melbourne) 11/22/00
- NEW
ARTS COMPLEX FOR DALLAS: Dallas unveils plans to build a $250
million performing arts center downtown. "The latest plan
calls for a 2000-seat lyric theater for the Dallas Opera and other
musical groups, and an 800-seat theater to replace the temporary
Dallas Theater Center stage on Flora Street."
Dallas Morning News 11/22/00
Tuesday November
21
- AN
"INFORMATION MAP OF THE WORLD": New online encyclopedias
turn to users as contributors, hoping to create real-time maps
of all of current human knowledge. One site has 60,000 contributors
from 90 countries. "These sites appear at a time in the Internet's
history when its utopian ideals linger as tenuously as the fun
money investors doled out over the past two years."
The Standard 11/20/00
- FESTIVAL
FEUD: What started out as a dispute over rent for Laguna Beach's
famed Festival of the Arts and Pageant of the Masters show has
escalated to a threat to move the festival and a campaign by the
artists to remove the festival's board. "Artists are usually more
accepting of change. This came as a surprise to me that this particular
group of artists doesn't have the willingness to look at the possibilities."
CNN.com 11/20/00
- WHO
OWNS IMAGES? Some San Francisco muralists are suing Bill Gates'
giant photo image company Corbis because Corbis is selling photos
of murals in the Bay Area. The images include copyright notices
but the owner is listed as the photographer and not the muralist.
Law.com 11/20/00
Monday November 20
- BRITAIN'S
LOTTERY WINNINGS: Britain's lottery funding for the arts has
recently come under fire for some of its dodgier projects. But
"for the first time since the great days of Victorian self-confidence,
Britain has been pouring money into what you might call cultural
assets. Museums, galleries, stadiums, botanical gardens, new and
refurbished public buildings have been popping up all over the
country. The idea behind the National Lottery was that it would
finance all those good things that often get squeezed out of government
budgets." The Economist 11/16/00
- IT'D
BE DIFFERENT IF IT WAS GREAT ARCHITECTURE: It will cost $1.5
billion to repair New York's crumbling Lincoln Center. So instead,
why not just tear it down and start over? "It’s time to start
thinking hard about tearing down Lincoln Center and building up
a new, much better one—an architectural masterpiece that will
signal New York City’s miraculous recovery over the last decade
and its renewed confidence that it will be the capital of the
twenty-first century as it has been of the twentieth."
City Journal 11/00
Sunday November 19
- MAINTAINING
A GOOD IDEA: Five years ago Britain set up the lottery-supported
Heritage Fund, setting forth £1.5 billion in spending on
arts and cultural projects. "Who could have imagined in 1990
that so many longstanding conservation problems would be resolved
or that such bold initiatives would have found funding? Without
it, the world would have been a much duller place. Yet, just as
the achievements of the fund are becoming clear, so are the dangers
that surround it." The Telegraph
(London) 11/19/00
- SAVING
THE NEA: NEA chairman Bill Ivey on the NEA's travails in the
past decade: "Our supporters in Congress, in the administration,
and around the country in state arts agencies and arts organizations
have become a lot more sophisticated and organized around their
advocacy efforts. Some of that came from the need to protect the
agency when it was under attack a few years ago. In the long run,
I think we'll look back and say [those] attacks were actually
beneficial to the Endowment." Pittsburgh
Post-Gazette 11/18/00
- HOW
DO YOU CENSOR THE UNCENSORABLE? "Film censorship nowadays
is a mess: it has neither legal nuance nor intellectual force,
and instead it relies on a vague outrage about the unacceptable.
Anyway, the new freedoms instituted and exercised right now by
the internet are making a mockery of regulation."
The Telegraph (London) 11/19/00
- USING
THE ARTS FOR COMMUNITY REGENERATION: In Britain's "vast,
scorched, abandoned" industrial outposts, traditional industries
are in full retreat. "What can save these places? Enter the
good fairy of the arts with her magic wand and her bag of enchanted
lottery dust. Hey presto - cultural regeneration!" But wait
just a minute..." The Sunday
Times (London) 11/19/00
- ART
MEETS VEGAS: Art museums aren't the only higher artform to
discover Las Vegas. The performance offerings are changing too,
and serious artists are beginning to see a new market (and one
backed with plenty of cash). Orange
County Register 11/19/00
Friday November 17
- THE
VALUE OF ART: "The tragedy is that American culture is
increasingly Postmodernist, whether we identify ourselves as pragmatists
or as persons of faith, as defenders of tradition or as progressives.
To ask about the practical value of the fine arts is to trivialize
them as thoroughly as the rabid academic deconstructionists who
argue that standards and canons are simply tools of oppression
and that all art is ultimately political. Both sides seek to subsume
art to base political purposes. The Right wants to use art to
'remoralize' the society, and the Left wants to use it for social
therapy, to encourage 'oppressed' groups." American
Outlook 11/00
- DEBATING
CENSORSHIP: It was a dull US presidential election. But the
one issue that seemed to get people stirred up was a discussion
of violence in the entertainment media. Not such an easy issue
to get one's arms around, though, writes Norman Lebrecht. "For
half a century the very word 'censorship' was so closely associated
with totalitarian regimes that it can no longer be uttered except
in inverted commas." Culture
Kiosque 11/17/00
Thursday November
16
- LEGISLATING
TASTE: It's election time in Canada, so of course silly season
is in full flower. An Alliance Party member says the party believes
that the federal government ought to only fund art that at least
one-third of Canadians can be proud of. "There certainly is no
censorship implied. I would just like to think the money was going
to be wisely spent and would benefit the majority of the population."
CBC 11/15/00
Wednesday November
15
- MEDIA
SEGREGATION: Despite promises made by US TV networks last
year to integrate their programming more and include more black,
hispanic and Asian performers, it still has not happened, says
a coalition of civil rights groups. Ottawa
Citizen (AP) 11/15/00
Tuesday November
14
- CRITICIZING
FROM WITHIN: Last month the director of London's Barbican
criticized his fellow arts institutions for the manner in which
they were run. Now another arts leader has turned on his colleagues.
"It used to be unknown for subsidised institutions to condemn
each other." But now, "with the attacks now coming from
within, the pressure will be on the notoriously non-interventionist
Culture Secretary Chris Smith to take a closer interest in the
performance of national institutions." The
Independent 11/12/00
- MORE
MONEY/LESS CLOUT: The Scottish government announces long-awaited
financial aid for Scotland's arts institutions. But the welcome
news of money is overshadowed by a downgrading of the arts portfolio
to a lesser position in the government. "The apparent reversal
of culture and sport is no accident, but signals a 'rethink of
the administration's priorities'. Pies, Bovril, and football -
you know, the things ordinary people are more interested in -
will have priority over Puccini, Beethoven, and Fauré."
Glasgow Herald 11/14/00
Monday November 13
- ARE
WE DUMBING DOWN? "There simply is no clear evidence of
any dumbing down except by the most crude and irrelevant criteria.
The accusation is the final gasp of an upper-class male elite
and their co-optees. They took it on themselves to define the
distinction between high and popular culture and then police its
boundaries. They were the high priests guarding the purity of
the canon of cultural tradition. Even the language - high, low,
low brow - demonstrates the snobbish elitism used to buttress
their position of power. They've lost that, and now they've lost
the debate." The Guardian (London)
11/13/00
- PROTECTING THE RIGHT RIGHTS? Seven years after it was proposed,
a bill designed to protect the basic rights of artists awaits
approval by the Australian Senate this month. "The bill contains
three basic rights: the right to attribution, the right against
false attribution, and - the most contentious - the right to integrity.
This would allow artists to protest against ‘derogatory’ treatment
of their work - a book published with a chapter removed, for example,
or a painting hung in the wrong position." Sounds great,
but film and television groups have already expressed concern
that the bill might discourage industry investment, and writers
fear they’ll lose the modest bargaining power they already possess.
The Age (Melbourne) 11/13/00
- PARIS OF THE EAST: Shanghai’s artists are vying to
recapture the city’s pre-Commmunist reputation as a thriving international
art center - the "Paris of the East," as it was internationally
known before the Cultural Revolution. One problem: government
authorities would rather showcase high-budget imports like the
recent 3000-cast member "Aida" rather than allow exhibits
of the controversial art of China's politically conscious youth.
The Age (Melbourne) (AFP) 11/13/00
Sunday November 12
- CURE
FOR INSOMNIA: "Sleep is the least desired effect of orchestras,
ballet companies, theatre troupes and opera ensembles; nevertheless,
it is a common phenomenon in concert halls and theatres everywhere.
Many of showbiz's most influential powerbrokers are well-known
shut-eye artists. Afterward, when they go backstage to congratulate
the cast, they can truthfully say, 'Your performance tonight was
invigorating'." National Post (Canada)
11/11/00
- SAVING
WINNIE THE POOH: In Winnipeg, Canada "children are breaking
open their piggy banks, seniors are dropping off $20 bills and
well-heeled Winnipeggers are brandishing their chequebooks so
the city can buy the large oval-shaped painting of A. A. Milne's
famous bear, honey pot in paw, at Sotheby's auction house in London
next week." Winnie was inspired by a black bear bought in
Ontario in 1914 and named after the buyer's hometown of Winn-ipeg."
The Globe and Mail (Toronto) 11/11/00
Friday November 10
- A
HISTORY OF CRITICS IN AMERICA: A new show tries to trace the
beginnings of America's art critics. "The stirring story
of this development — at least, the New York part of it — is told
by the academy in an entertaining hodgepodge of a show, 'Rave
Reviews: American Art and Its Critics, 1826- 1925,' described
as the "first comprehensive historical examination of American
art criticism." New York Times
11/10/00 (one-time registration
required for entry)
- YOUR
QUOTE HERE: Who are these movie critics who always have hyperbolic
quotes to fling at even the trashiest sorry lot of a movie? "What
I need to know is this: what do the critics get out of this? Is
it just about getting one's name in the paper? Can it be that
simple and stupid? I suspect it can..." The
Guardian (London) 11/10/00
- WHERE
WE CAME FROM: "More than 95 percent of European men today
descended from just 10 possible male ancestors, a new genetic
study shows. Each of these father figures took part in one of
three separate migrations that eventually populated the European
continent." Discovery 11/10/00
Thursday November
9
- RIGHT
TO WATCH: "A new British poll on film censorship suggests
four out of five viewers would rather censor their own viewing,
rather than watch poorly cut films. The study, Making Sense of
Censorhip, found that three quarters of those surveyed thought
cuts in movies shown on television were the least appropriate
methods of controlling content." BBC
11/09/00
- THE
MEANING OF ART: "Art, like beauty, has no essence: it
cannot be defined or explained in purely rational terms. If anything,
art-making and art-recognition are fundamentally irrational processes,
based on intuition, or “what feels right”. There is a continuous
battle raging between rational and irrational, order and chaos,
creation and destruction, Classical and Romantic."
*spark-online 11/00
Wednesday November
8
- WHAT'S
SO BAD ABOUT QUALITY? Time Magazine's Robert Hughes happily
proclaims himself an elitist. "What I'm going to talk about
is the idea of quality in art, which is a concept which over the
last 25 years has taken a hell of a beating. Really good art is
much more interesting than really bad art, and there's a lot of
the latter and not a lot of the former. The idea of preferring
high, articulate, demanding and beautiful experiences from the
visual or aural or any other arts is seen as absolutely nuts.
But is it damagingly elitist to prefer good baseball to bad baseball?''
Dallas Morning News 11/08/00
- DREAMS OF DESTRUCTION: The quarterly magazine City Journal
solicited plans from three architects to envision completely leveling
and then rebuilding Lincoln Center from the ground up, instead
of the performing arts center’s pending redesign. "The suggestion,
however tongue-in-cheek, that the world's biggest and busiest
performing arts complex be razed like Ilium left Lincoln Center
at least officially nearly speechless." New
York Times 11/08/00
(one-time registration required for entry)
- A
NEW CLASS OF TEACHER: "Affluence, once the preserve of
the entrepreneurial class and the corporate sector, has now come
to academe. Six-figure salaries, which used to be restricted to
college presidents and a few senior faculty members in business
and engineering, are no longer uncommon. The stock-market boom
of the past two decades, rising home values, two-earner households,
and external sources of income from royalties, lecture fees, and
other sources have all given the academic world a new taste of
prosperity." Chronicle of Higher
Education 11/06/00
Tuesday November
7
- PROMOTING
A DISTINCT CULTURE: "In the international arena, Korean
culture, long overshadowed by those of China and Japan, has received
only marginal attention, often becoming subject to the view that
regards it as a branch of theirs." Now an initiative to promote
Korean culture in other parts of the world as a distinct entity."
Korea Times 11/07/00
Monday November 6
- ARTS
INCUBATOR: San Jose has copied an idea used in the high-tech
start-up world for arts funding. The plan goes like this: "Bring
representatives of arts, neighborhood and social services groups
together for a day; feed them good food and good ideas; let them
listen, schmooze and think. At the end of the day, ask them for
their ideas. Then pick the best and fund them - quickly."
San Jose Mercury News 11/06/00
- SO
WHAT'S THE POINT? "What
is the charter of the multi-artform Melbourne Festival? To offer
choice and take the odd gamble? Or to project the ideas and tastes
of the artistic director charged with pulling the event together?"
Sydney Morning Herald 11/06/00
- A
REAL MIXER: "In a society which prides itself on being
a melting pot, 17 per cent of Australia's performing artists,
and 14 per cent of artistic directors, claim a non-English speaking
background, a new report says. The roles these performers are
offered are largely 'minor, tokenistic or stereotyped'."
Sydney Morning Herald 11/06/00
- BROUHAHA
OVER THOMAS THE TANK: Can a dealer sell the original artwork
used for films, books, or comics? There's been an established
trade in such artwork for years. But now the copyright-holders
for Thomas the Tank comic want to prohibit a dealer from selling
art from the original comic. There could be larger implications.
The Telegraph (London) 11/06/00
- THE
ARTS ONLINE: Last May Hartford's Bushnell Theatre began selling
tickets online and now sells 10 percent of its seats that way.
Predictions are that that number will double in the next year.
"Now - for a growing number of theaters and cultural organizations
- arts consumers can call up a Web site and instantly get tickets,
see where they are sitting and be done with it. Click, click,
done. Smart arts organizations realize that to compete in the
entertainment marketplace they must be more willing to accommodate
the needs and desires of their customers."
Hartford Courant 11/05/00
Friday November 3
- MAYBE
THE BRIBE'S NOT BIG ENOUGH? There's a federal election going
on in Canada, and the Liberal party, in power for a number of
years now, is offering a bribe to the arts - $600 million in new
arts spending, if the government is re-elected. Artists aren't
impressed, though. The government's made promises before, but
hasn't come through. CBC 11/03/00
- SCOTTISH
BOOST: Scotland's arts gorups, languishing for funding in
recent years, got a pick-me-up this week, in the form of the "largest-ever
increase in funding for the arts in Scotland. The £27 million
package was revealed at the opening of the hastily rescheduled
debate on the National Arts Strategy and its substance caught
its beneficiaries, as well as its detractors, on the hop."
Glasgow Herald 11/03/00
Thursday November
2
- GOOD TIMES
FOR PRIVATE ARTS SUPPORT: Spending by philanthropies on arts
and culture increased by 47 percent last year, reports the Journal
of Philanthropy in its annual ranking of the Philanthropy 400.
Philanthropic support for arts and culture organizations on the
list totaled $1.15 billion last year. Overall charities took in
14 percent more last year than the year before. (table at the
end of story) Chronicle of Philanthropy
10/30/00
- TECHIES, MEET FUZZIES: High-tech artwork is gaining more
mainstream acceptance in the art world, yet artists themselves
are still struggling with ways to navigate between the worlds
of art and technology, both of which are crucial to their creative
output. The collaboration between the two will be a focus of this
week's ".art frontiers" conference in Silicon Valley.
Wired 11/01/00
- LESS MESS: Securing grants for future projects
is about to become a lot easier for England’s artists after a
recent promise by the Arts Council of England to simplify the
funding-distribution process and reduce the layers of red tape
artists have traditionally had to cut through. BBC
11/01/00
Wednesday November
1
- REDISTRIBUTING
THE WEALTH? A debate is going on in Australia about how to
best spend money on higher education. "While Australia's
best universities are well below Ivy League status, the lower
end of the spectrum is well above America's worst." If making
the best schools truly great isn't easily possible, should effort
be made at general improvement? (In which case the best are diminished
while the worst improve). Sydney Morning
Herald 11/01/00
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