The Seattle Art Museum moved into the international limelight for its exhibit earlier this year, Target Practice: Painting Under Attack, 1949-78. Reversing Garder Eide Einarsson‘s intent, All My Friends Are Dead brings to mind another kind of target practice taking place in the Seattle area – the gunshot murders of police officers, one in Seattle and four in Tacoma. They were singled out not because of anything they as individuals did but because of who they are as a class. Is this a new way for wars to come home?
Einarsson:
Leave a Reply