The visual score, after Christian Marclay

Previous post, that ends with Marclay: The visual score, after Kandinsky

Scores that are paintings, drawings and collages are everywhere in recent years. They function as art on their own but can, depending on the performer, inspire sound.

We are all ears.

A few of my favorites:

Paul Rucker, Strange Fruit, a score he plays on his cello:

Strange Fruit is part of an exhibit at Cornish College called Live in the Hyphen, with Rucker and Wynne Greenwood, through Oct. 16. Greenwood talks in the gallery noon-1 on Oct. 16.

Other scores:

Jorge Macchi

Jaq Chartier:

Grant Barnhart:

Susie J. Lee Consummation Single-channel projected video on hand carved wood
14 x 62 x 7 inches (Play here)

Margie Livingston

Carrie Bodle/Margie Livingston, score-like Sound Installation:

Carolyn Krieg, each figure a reverberation around the silence in the center:

Jesse Paul Miller– musical score as reverberations at sea, and muscial score as a record