Bellingham’s Thomas Wood paints as if he were knitting thick threads into a coarse version of a landscape. His best work has a battered gleam, as if it had been through a lot. The awkward quality of his oils brings to mind Albert York, whom Calvin Tompkins once called the best unknown painter in America. Tompkins was referring to unknown in New York terms. Wood is largely unknown in Seattle even, though he lives a hour north of it and has shown in the city for years.
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