The South Dakota Symphony concert I last wrote about in this space has now come and gone. In every way, it fortified my impression that this is an orchestra that deserves to be a national model. The program comprised Lou Harrison’s Piano Concerto and Rimsky-Korsakov’s Scheherazade. That is: it introduced to Sioux Falls an American masterpiece that is … [Read more...] about Curating American Repertoire in South Dakota
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A Saturday Night Livestream: Lou Harrison’s Piano Concerto in South Dakota
I have often extolled Lou Harrison’s Piano Concerto as quite possibly the most formidable concerto by any American. And I have often extolled the South Dakota Symphony as a national model. This Saturday night at 8:30 pm ET, the South Dakota Symphony performs the Harrison concerto – a concert that will be livestreamed (but not archived), if you … [Read more...] about A Saturday Night Livestream: Lou Harrison’s Piano Concerto in South Dakota
“Shosakovich in South Dakota” P. S.
I cannot resist this postscript to my 7,000-word manifesto, in the current American Scholar, about the South Dakota Symphony. If you happen to watch the live-stream [embedded above] of their Shostakovich 7 concert, with its 40-minute preamble, you will discover at the end an expression of pride and accomplishment the likes of which I have never … [Read more...] about “Shosakovich in South Dakota” P. S.
“Drastically revising our idea of who a music director is” — The South Dakota Symphony on NPR
The Creekside Singers performing with the South Dakota Symphony “There’s just a tremendous amount of caution, a tremendous amount of groupthink, in the orchestra world. So to see an orchestra really out on its own, forging its own identity, and bringing its audience along with it is just extremely impressive – even more impressive than I anticipated.” That’s Alex Ross, … [Read more...] about “Drastically revising our idea of who a music director is” — The South Dakota Symphony on NPR
Re-Thinking the Concert Experience in South Dakota and Minnesota
There was a time – the 1990s, when I was running the Brooklyn Philharmonic at BAM – when the practice of speaking from the stage at symphonic concerts was controversial, both among audiences and orchestra leaders. And people debated whether or not thematic programing was a good thing. Those days are finally over. But the next step – fundamentally re-thinking the … [Read more...] about Re-Thinking the Concert Experience in South Dakota and Minnesota