Today’s on-line “The American Scholar” includes something of mine on a magnificent new recording of Sergei Rachmaninoff’s "Symphonic Dances" – and why it matters. You can read the whole thing here.. An extract follows: Rachmaninoff left two versions of the Symphonic Dances: one for orchestra, the other for two pianos. He premiered the latter, privately, with Vladimir … [Read more...] about “A Validation Overwhelming and Unprecedented” — Babayan and Trifonov Perform Rachmaninoff
Native America and American Music on NPR: “A Battleground”
This Hamms Beer commercial, which I vividly remember from childhood and our brand-new black-and-white TV, signals “Indian music” with a steady tom-tom beat. The tune (and its tom-tom) adapts the Dagger Dance in Victor Herbert’s opera Natoma. The words – “From the Land of Sky Blue Waters” – reference a once popular concert song by Charles Wakefield Cadman. Both Herbert’s opera … [Read more...] about Native America and American Music on NPR: “A Battleground”
The “Worst Ever” Carmen — Take Two: A Way Forward
In response to my two-day-old blog about the Met’s “worst ever” Carmen, a prominent European artists’ manager wrote (in an email): “If you would have been forced – as I was from professional duty – to attend productions as Tosca at the Aix-en-Provence Festival (staged Christoph Honoré) or Les Troyens at the Bayerische Staatsoper (staged by the … [Read more...] about The “Worst Ever” Carmen — Take Two: A Way Forward
The Met’s “Worst Ever” Carmen and What To Do About It
Two veteran opera-goers of my acquaintance reacted identically to the Metropolitan Opera’s new production of Georges Bizet’s Carmen. One called it “the worst thing I’ve seen at the Met in thirty years.” The other declared it the “nadir” of the company’s 141-year history. I had to go. A classic description of this opera, by Friedrich Nietzsche, extols it as the apex of … [Read more...] about The Met’s “Worst Ever” Carmen and What To Do About It
Why Colorado Mahlerfest Matters
The most profound music ever conceived by Richard Strauss may be Metamorphosen for 23 solo strings. Composed in 1945 when Strauss was 81 years old, it memorializes the cultural inheritance symbolized by the opera houses of Munich, Dresden, and Vienna, all bombed to rubble during what Strauss called “the most terrible period in human history . . . the … [Read more...] about Why Colorado Mahlerfest Matters