At the top of today’s 50-minute National Public Radio feature on Silvestre Revueltas – the fourth radio documentary I’ve produced for the WAMU newsmagazine “1A” – I observe: “Art promoting social justice is everywhere upon us. It’s what our composers and visual artists and playwrights want to produce, it’s what presenters want to present, it’s what our foundations want to … [Read more...] about Revueltas and Social Justice on NPR
The Russian Stravinsky
What happened to Stravinsky in the West? What to make of his “neo-classicism”? These are questions I’ve many times pondered in this space. The superb Soviet-trained musicians who belatedly discovered Stravinsky’s post-Russian odyssey have certainly heard his music with different ears. The most extreme case I know is that of my great friend Alexander Toradze, for whom … [Read more...] about The Russian Stravinsky
The Arts and Social Justice — Bedfellows?
Today’s online edition of The American Purpose – an indispensable centrist voice pondering the contemporary condition of government, politics, and the arts – includes a piece of mine inviting dialogue on a topic people don’t dare talk about – the insistence that arts institutions necessarily serve as instruments for social justice. You can read the whole article here. What … [Read more...] about The Arts and Social Justice — Bedfellows?
Dvorak’s Prophecy — A “Systematic Curatorial Effort”
The author most recently interviewed by Richard Aldous, in his always lively “Book Stack” series for The American Purpose, happens to be me, talking about Dvorak’s Prophecy and the Vexed Fate of Black Classical Music. You can hear our 30-minute chat here. At one point, 22 minutes in, Richard in a surge of effusion pronounces: “Your time has come.” He … [Read more...] about Dvorak’s Prophecy — A “Systematic Curatorial Effort”
John McWhorter on “Dvorak’s Prophecy”
In his New York Times column two days ago, John McWhorter wrote of Dvorak’s Prophecy and the Vexed Fate of Black Classical Music: “Horowitz has taught me a new way of processing the timeline of American classical music. . . . His lesson should resound.” Attending Porgy and Bess at the Met, McWhorter continued, “I experienced the opera for the first time … [Read more...] about John McWhorter on “Dvorak’s Prophecy”