With classical music under siege, many are rethinking audiences and venues. Here in Manhattan, Geffen Hall – previously Fisher Hall, and before that Philharmonic Hall – has never been an inviting place in which to hear music. The acoustics are defective, the ambience is nothing special. One cannot blame the hall for the New York Philharmonic’s disengaged audience – but it’s a … [Read more...] about New Musical Venues for a New National Moment
Rethinking “Classical Radio”
When commercial radio was new, the airwaves were saturated with classical music – not just recordings and live concerts, but highly produced pedagogical programs. You could tune into Abram Chasins for tips on playing Chopin’s E-flat major Nocturne. What today passes for classical music radio is a different species of broadcasting. You can spend an afternoon listening to the … [Read more...] about Rethinking “Classical Radio”
Uncle Vanya Meets Porgy and Bess
What did the legendary Russian experimental theater director Yevgeny Vakhtangov (1883-1922) have in common with Porgy and Bess, Oklahoma!, and Carousel? The immigrant director of these landmark Broadway productions, Rouben Mamoulian, was to some degree a Vakhtangov disciple. Mamoulian took Broadway by storm in 1927 with his staging of Dubose Heyward’s novel Porgy. At the age … [Read more...] about Uncle Vanya Meets Porgy and Bess
The Lou Harrison Centenary
If you asked me who composed the best American violin concerto, and who composed the best American piano concerto, I would answer with the same name: Lou Harrison. And yet, except on the West Coast of the United States, Harrison is not a brand name. The present Harrison Centenary year can help to change that. We finally have a copious full-scale biography: Lou … [Read more...] about The Lou Harrison Centenary
Arts Leadership in the Age of Trump
In 1966 the New York Philharmonic undertook an 18-day Stravinsky festival as a kind of try-out for Lukas Foss, whom Leonard Bernstein favored to take over as music director. The conductors included Foss, Bernstein, Ernest Ansermet (who had conducted for Diaghilev), Kiril Kondrashin (a major Soviet artist), and Stravinsky himself. George Balanchine choreographed Ragtime for … [Read more...] about Arts Leadership in the Age of Trump