Joe Horowitz

In recent weeks I’ve had occasion to perform Harry Burleigh’s "Lovely Dark and Lonely One" with three singers: Emery Stephens at St. Olaf’s College, George Shirley for Chamber Music Cincinnati, and Sidney Outlaw at Princeton University. And I write in this weekend’s Wall Street Journal that this “may be credibly judged one of the most memorable of all American concer songs.’” … [Read more...] about Rediscovering Harry Burleigh: A Valedictory Setting of Langston Hughes

“Dvorak’s Prophecy and the Vexed Fate of Black Classical Music” is the topic of an April 12 concert/lecture at Princeton University. I’ll be joined by cultural critic John McWhorter of the New York Times, Princeton historian Allen Guelzo, and baritone Sidney Outlaw – with whom I’ll perform spirituals and songs by Harry Burleigh. It’s free of charge and you don't have to … [Read more...] about “Dvorak’s Prophecy” at Princeton April 12 with John McWhorter, Allen Guelzo, and Sidney Outlaw

One of Gustav Mahler’s most powerful New York experiences was a funeral procession he watched from a hotel window. A fireman had drowned in a burning building. It is often surmised that the stark military drum commencing the finale of Mahler’s unfinished Tenth Symphony was a result.  Tickets are now on sale for “Mahler in New York” – an April 4 program combining music, … [Read more...] about “Mahler in New York” (April 4) — Tickets Now on Sale

There was a time – the 1990s, when I was running the Brooklyn Philharmonic at BAM – when the practice of speaking from the stage at symphonic concerts was controversial, both among audiences and orchestra leaders. And people debated whether or not thematic programing was a good thing.  Those days are finally over. But the next step – fundamentally re-thinking the … [Read more...] about Re-Thinking the Concert Experience in South Dakota and Minnesota