“Tannhäuser” — Take Four

Conrad L. Osborne has now chimed in with a typically riveting review of the Met Tannhäuser, bristling with insights into the opera and its performance last December 12. Read it. As a brief postscript to my three previous Tannhäuser blogs, and Conrad’s blog, would like to draw particular attention to his observations about the current condition of the Met … Continue reading “Tannhäuser” — Take Four