Some anecdotes from the backstage front lines (so to speak) of opera in the US in the 1980s. I served on an NEA opera/music theater panel with two larger than life women, Beverly Sills and Ardis Krainik. Beverly at that time ran the New York City Opera, and Ardis (a beautiful soul) ran the Chicago Lyric. At one point they got in an argument. Beverly said it wasn’t possible to sell tickets to contemporary opera, Ardis said it was. Beverly was adamant. I thought Ardis was right. Because if she could sell them, they could be sold. I … [Read more...]
Not as deep as it seems
I had a range of thoughts about Ellen Reid and Roxie Perkins's opera Prism, which won the Pulitzer prize. I loved Reid’s music, but thought the text by Perkins and also the staging (despite evocative design) were too elementary, somehow both too indirect and too obvious. And I longed for the days decades ago, when artistic music theater pieces had a much bigger audience. Prism showed us a metoo situation, painful and damaging, in which the hurting woman was held back by her mother from acknowledging the truth of what she’s been through. … [Read more...]