No, that's not the disorder of my mind (which, as human minds go, is less tattered than usual these days). This is the railroad I take from my home in Warwick, NY to New York City, and to my other home in Washington, DC. After, that is, the tracks were destroyed by Hurricane Irene. Maybe the hurricane is old news by now. But what happened to the railroad -- New Jersey Transit's Port Jervis line -- is staggering. News reports said there were 1000-foot stretches that look like the photo, or worse. The trains won't run again for months. And … [Read more...]
Support for commerce
Steve Ledbetter posted a comment I thought I'd share here in the blog. He's responding to my thoughts (in yesterday's "Relaunch" post) about classical music commerce, which will be my theme on the blog in October: You're on the right track considering commerce -- anyone who wants to make a living in music, whether as a sole practitioner or as a member of an ensemble needs to realize that being able to continue the work long enough to be worthwhile also means finding that market, which seems to have become so elusive. Seth Godin is a terrific … [Read more...]
Relaunch, day two
My relaunch continues. I've got a new…well, a new home page. It's the beginning of a new website. I'll construct the site incrementally. Or (as I wrote on the page) by surprise. It'll take me awhile (of course). But I'll build it, I hope, in the rhythm of other parts of my relaunch. Want to help? I think of this as an interim site. Would anyone want to redesign it? Send me ideas! One thought I had -- if anyone cares to design a new home page for me, I can put it online, just for the fun of it. I could even use several, each for a while, to … [Read more...]
Relaunch
Labor Day's over. The new season starts. And, after vacation, this is when I've always restarted my blog. But this year there's more. Not just a restart. This year it's a relaunch, not just of the blog, but of everything I do online. And much that I'll do in the physical world. To start with, the blog has a new look, thanks to new software, courtesy (and what happy timing) of my ArtsJournal hosts. A big improvement, I think, and not just in looks. The blog should now be more flexible, which I'll hope brings me closer to all of you. And … [Read more...]
Going fishing
I'm going on vacation, and won't blog again till after Labor Day. Or, more evocatively, I'm going to treat myself to some time in my private art colony, aka my country home in Warwick, NY. Where I'll relaunch my book (the link takes you to old versions of it), and compose. (A cello piece.)Some thoughts, though, before I go. From time to time I send out a newsletter. Can't believe I haven't mentioned it in the blog, but if you click, you can read the latest issue. And if you click again, you can subscribe. In the fall, the newsletter will show … [Read more...]
One look at the future
I'm delighted -- amazed, thrilled, just over the moon -- about next season's programs at the Brooklyn Philharmonic, the first season under the orchestra's new conductor, Alan Pierson. Talk about the future of classical music! Pierson, an indie classical musician known for conducting Alarm Will Sound, a pretty astounding new music ensemble, is shaping the orchestra's season almost entirely around Brooklyn composers and Brooklyn communities:In this debut "reboot" season, the Brooklyn Phil features the work of generations of great Brooklyn … [Read more...]
Arresting data
I'm a little bemused at the debates that still seem to rage about whether classical music -- as an activity in our culture -- has declined. Seems to me that the only way you can think it hasn't is by bypassing some fairly clear data. So here's more, from a piece in the Washington Post on Wolf Trap, by my wife, Anne Midgette. Wolf Trap, of course, is the national park outside Washington which has been presenting arts events for 40 years. And I should stress that Anne wasn't looking for evidence, pro or con, for classical music's decline. … [Read more...]
Intermezzo
As I've tweeted, and posted on Facebook -- here's a sound I just love. Is it an animal, singing? Is it music from some other culture? No, it's an escalator at the Archives stop on the Washington DC Metro. Somehow it sings, and (to my ear) very wistfully, too. On Facebook, my friend Lucy Miller (hi, Lucy, and thanks) found someone this sound like. Roswell Rudd, a jazz trombonist. Here, on YouTube. Uncanny connection.And for more diversion, from the excellent "Click Track" pop music blog at the Washington Post, you can listen -- in … [Read more...]
The culture I’ve seen
Orchestra culture, I mean. A few years ago, I was visiting a friend, who also had another visitor -- the concertmaster of a Group 1 orchestra (referring to the League of American Orchestras classification of orchestras by budget size, in which the 20-odd largest are in Group 1). We were hanging out, talking in a relaxed, friendly way. And at one point, the concertmaster asked me, "What's the happiest day in a string player's life?" The answer: "The day they get tenure in an orchestra, and never have to practice again." Which was … [Read more...]
More unsatisfied
I know that what I'm writing here is difficult. I may seem to be attacking orchestra musicians. Which I'm not, not at all. I have the greatest respect for them. But that doesn't mean we shouldn't look at some difficulties they might have...which I'm hardly the first to mention.So, continuing from my last post...I'd mentioned studies and other writing, published in Harmony magazine in 1996, about how satisfied (or not) orchestra musicians were with their work. And I wrote about one of them, a study by Harvard psychologist Richard Hackman and … [Read more...]
Not so satisfied
Resuming my posts on how well orchestras play...My points today:orchestral musicians are deeply committed to their work, but not satisfied with itthey have trouble resolving this contradictionand since their main complaints are about the quality of the conductors they have to play for, they couldn't possibly believe -- in their hearts -- that their orchestras play as well as they ought toBut first, a look back:What I'm starting to get at here is the inner culture of orchestras. I began to touch on that in my "Four personalities" post, in which … [Read more...]
Sports and uplift (more)
A note to people who think I might have written too much here about sports. Once you've gotten what I'm trying to say, sportswise, feel free to scroll down to the subhead that shows I'm moving on to classical music. I won't be offended. Thinking some more about about the comments I've gotten trashing my idea that sports and classical music could be compared in any useful way. Plus my responses, both in the comments, and in my "Underestimating" post. One theme in the comments has been that classical music is about uplift and … [Read more...]
No direction home
This may come as a shock, but -- continuing my posts on the artistic quality of orchestras -- the larger American orchestras normally have no one who functions as their artistic director. You may think this is nonsense, when you read it. What's the music director? you might ask. Chopped onions? But in fact -- as insiders know -- many music directors, maybe most, don't take responsibility for the concerts that they don't conduct. In some cases, they may not even take much interest. There may be reasons for this. A top-class music … [Read more...]
Atomized?
About orchestra culture...I got a comment on one of my posts from Henry Peyrebrune, a bassist in the Cleveland Orchestra, whom I know from the Mellon Foundation's Orchestra Forum. I want to thank him for the comment, which was this:Greg - we talk about performance all the time - it's called rehearsal. While it's primarily led by the conductor, there are always side discussions within sections and sections taking time during rehearsal breaks or after rehearsal to go over passages. And - individual players can focus on their own performance … [Read more...]
While we’re talking about orchestras…
Two big developments. The Toronto Symphony seems to be finding a young audience. Or that's what a Los Angeles Times story the link takes you to says. Thirty-five percent of the orchestra's audience, we're told, is younger than 35. Which compares to data from past generations, when the classical music audience was no older than the rest of the population. In 1955, for instance, more than half the Minneapolis Symphony audience was under 35. (That orchestra, of course, is now the Minnesota Orchestra.) If the Toronto story really is true, … [Read more...]