“Star Trek” was shot for Desilu Productions, on the lot its founders, Lucille Ball and Desi Arnaz, bought from RKO Radio Pictures, the prolific studio that had made “King Kong,” “Citizen Kane,” the Fred Astaire-Ginger Rogers musicals and countless B pictures like “I Walked With a Zombie.” In time, the series moved to Paramount and if it seemed as though Kirk and his crew were venturing from old movie to old movie, Roddenberry and his crew were traveling literally from old-movie set to old-movie set.
“The majority of story premises …can be accomplished on such common studio back lot locales and sets such as Early 1900 Street, Oriental Village, Cowtown, Border Fort, Victorian Drawing Room, Forest and Streamside,” wrote Roddenberry in his original pitch. “Interiors and exteriors temporarily available after an ‘Egyptian’ motion picture, a ‘horror’ epic, or even an unusual telefilm, could be used to meet the needs of a number of story premises.” — David Hajdu in yesterday’s NYTimes