[contextly_auto_sidebar id="gKYtCvM4cAQpsJxYekkWhiqX3TD4s6wQ"] The English National Opera has a really big problem – or, rather, has given itself a big problem. It has decided to “refresh” its core repertory by commissioning a new production of Verdi’s Rigoletto. The rub is that the former staging wasn’t just any old Rigoletto, it was Jonathan Miller’s greatest of all Rigolettos, … [Read more...]
Dear George Clooney, About those marbles…
[contextly_auto_sidebar id="PjVNV5Zdugg8HexsYqCyx57z1XQQw7KI"] Dear George Clooney, As another Lexington, Kentucky boy, I’ve often wanted to write a fan letter to you. (I’ve been told that some members of our families knew each other, though I’m a good deal older than you, and left my old KY home when you were a child.) Monuments Men is the perfect excuse, as … [Read more...]
Don self-absorbed and solitary?
[contextly_auto_sidebar id="FJ72EuFrKSh1OawAdfDgPgR2oZlmAAWV"] Royal Opera House Director of Opera Kasper Holten’s first dive into directing a production at Covent Garden was a belly-flop Eugene Onegin. He was been more successful with the current Don Giovanni, at least to the extent that seeing and hearing it is an enjoyable experience. If his staging contains no new insights into the piece … [Read more...]
It ain’t Shakespeare
[contextly_auto_sidebar id="yMNsxjvC1NZg7QolcUkqidemBUq7Nn8a"] The secret of the success of Hilary Mantel’s novels Wolf Hall and Bring Up the Bodies is seeing the events of the reign of Henry VIII through the eyes of an unlikely character in the grand sweep of history, Thomas Cromwell. A London lawyer with a reputation for toughness and bullying, the son of a butcher and therefore not a … [Read more...]
My Own Maecenas
News came recently of the death of a friend, Alistair McAlpine – Lord McAlpine of West Green. The obituaries have naturally focussed on his political career, rather than on Alistair’s stellar importance as a collector and patron of the arts with a golden gift for friendship. This is understandable, as he was Treasurer of the Conservative Party during Mrs Thatcher’s premiership, and seldom out of … [Read more...]
Bats in the Coliseum’s Belfry
Once in a while you come across a production that makes you scratch your head - why did the company do this? How could anyone ever have thought this worked? But it is rare that you see something that makes you wonder why the institution is in receipt of a public subsidy to present a piece that fails not because it's daring or experimental, but just because it's so bad it should never have been … [Read more...]
What’s Inside Wagner’s Head?
There have been some ups and some downs among the events of this Wagner bicentenary year. There was the reportedly naff new Ring at Bayreuth - so bad, some of the press said, that the German state must now think again about its support for the Wagner family management of the Festival. But there have been some high points, too. … [Read more...]
Don Impeccable (mostly)
Donizetti's Don Pasquale has a dramaturgical problem. The 70-something Pasquale wants to marry and produce heirs, as his young heir-apparent nephew, Ernesto, has refused the arranged marriage proposed for him by his uncle. Pasquale's doctor, Malatesta has nominated himself as Pasquale's marriage-broker, but the woman he proposes is Norina, the young widow who is the secret squeeze of Ernesto. … [Read more...]
Open Minds about Closed Borders
Very recently the UK Border Agency refused visas to visit Britain to one of the curators of the Shubbak festival, an annual celebration in London of modern Arab arts. Also vetoed were visas for two authors from Gaza. Earlier this year, said Boyd Tonkin of The Independent (on 29 June), "a deal-hungry literary agent from Turkey, guest of honour at the London Book Fair" was denied entry to … [Read more...]
Dazzled by “Gloriana”
Have you ever been assaulted by the stage lighting of a production? In the sixty-plus years since I saw my first play and opera (Carmen at the Cincinnati Zoo!), this is the first time I have felt physically threatened by a lighting designer, Mimi Jordan Sherin, who has lit Richard Jones's otherwise imaginative, rewarding revival of Benjamin Britten's Gloriana, at the Royal Opera House, Covent … [Read more...]