When you walk down one corridor in the current Ashmolean Museum’s exhibition of Young Rembrandt you see half a dozen tiny-to-small, though not quite postage stamp-size etchings, which are self-portraits of the twenty-something artist. My favourite of these is a posturing 1630 “Self-portrait in a cap, wide-eyed and open-mouthed.” You can just imagine how many hours it took of him looking in a … [Read more...]