The first two new productions in Garsington Opera’s 30th anniversary season both feature wild parties with lots of on-stage dancing. Smetana’s The Bartered Bride somehow combines1950s dancing, from the era when partners gestured at each other separately (and sexily, we innocently thought then), more often than they actually held one another, with Czech folk-dance. But it’s the title, not the … [Read more...]
Paul Levy measures the Angles
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