The Hard Problem, Sir Tom Stoppard’s first stage play since 2006, begins with what you have to call Stoppardian promise: a bit of dialogue that misleads the audience about its actual subject. We hear a 30-something man tell a 22-year-old woman”: “You’re looking at two years. The jewellery was under the floorboards. The police have nothing to connect you to the scene of the robbery.” But this … [Read more...]