Until I saw Britten's Peter Grimes last week at the English National Opera with surtitles, I hadn't realised how clunky and often silly Montagu Slater's libretto is. Or maybe I should say (by contrast), that I hadn't realised how fine is my late friend Myfanwy Piper's libretto for Turn of the Screw, or Britten and Peter Pears' redaction of Shakespeare for that of Midsummer Night's Dream. The … [Read more...]