Dispatched from the Audition Room (mit Bolzano auch dabei) After the third day of piano auditions at New England Conservatory, I attended an evening recital given at the school by one of my piano faculty colleagues. Backstage, he said that while he was playing he imagined my stern voice from the audition room. Making a fairly unpleasant face, he told me, "You know when you say, 'Mmmmm, not really good...'" The cold fact is that from about … [Read more...]
Cause or Effect?
Is written music a set of instructions? A student asked my opinion of a performance he described. In the performance, a pianist used the pedal to sustain long notes while taking his fingers off the keyboard. After thinking, I wrote: "I think the use of the pedal for sustaining notes or helping with legato depends very much on what music is being played. For me, in music by Brahms or Mozart, the central Germanic repertory, long notes must be … [Read more...]
Drunk
Many of the scions of American piano playing had trouble with alcohol. At school, I remember hidden bottles and little bars inside the official closets. Piano playing is a solitary occupation, and often makes for a solitary life. As much as writers of fiction, pianists have been plagued by (susceptible to? predisposed to?) alcoholism. In some way, intoxication may be a goal of music making -- but chemicals can be a dangerous consort. … [Read more...]
Resolve
In classical music, many gestures need to "resolve." A dissonance, a departure from the harmonic (or melodic, or rhythmic) norm needs to be brought back to normality, disturbances need to be calmed -- "action" needs resolution. Chopin: Opus 44 This dotting of the "i," this attentive management of the small phraselet, is often subsumed in an attention to, or a desire for larger shapes. But music becomes generalized very easily. Large … [Read more...]
Tail wind
My flight to Los Angeles took over six hours. Coming back to the east coast with a strong tail wind making the flight easier and faster, the flight lasted only four hours and twelve minutes. Rudolf Serkin is sometimes credited with having said: "Playing the piano is easy, if everything goes well." Raising the question, "What about when it doesn't go well?" Then it's harder, then it takes more fuel. Then, you need to be an "expert," a "master," a … [Read more...]
Simple is difficult
The simplest things can be the most telling. A very small, simple bit of music reveals everything about a player's technique, sound -- dare I say, soul? Consider the two-note slur: a group of two notes, frequently a descending step, connected, bound, by a legato phrasing tie (slur). A very basic building block, frequently realized very poorly, even by celebrated, professional executants. Classical musicians often strongly desire to perform … [Read more...]