After a chamber music master class, someone mentioned that if the students didn't sound better at the end of the session -- it must not have been a very good master class. We want musicians to improve. But, how quickly? Can we assess progress after half an hour, at the end of a concert season, or a 4-year degree? In the master class, one student pianist was asked to play a difficult passage faster -- not to take extra time to negotiate its … [Read more...]
Rise
"You were teaching that pianist like she was a college student" -- the complaint of an observer of one of the masterclasses I gave in Jerusalem. In my defense, the student pianist was 18 (I learned later), and playing one of Beethoven's Opus 10 Sonatas. It seems to make sense that we have differing expectations of musicians -- according to their stage of development. More experienced players may have more musical or instrumental command, or more … [Read more...]
All feet
The patterns of stress inform everything. More, less. Less, more. Our languages (our speech) inform our music, our thought, our designs, and concepts -- our emotions? I am -- iamb! In Western European music, the falling inflection predominates, strong, then weak. That's the two-part poetic foot, the "trochee." "Iambs" (weak - strong) are rarer in music and (?) in French, German, Italian (so rare as to need a marking -- città). In these languages, … [Read more...]
I don’t do Rachmaninoff
In preparation for one of our spring masterclasses, I received a memo from one masterclass-giver's management. Along with requests about using a smallish theater and making two pianos available on stage, there were stipulations about the music to be played in the masterclass by potential student performers: no music by Rachmaninoff, no music by Liszt. Certain pieces by J. S. Bach might be ok, with approval. Certain works by Schubert, Beethoven of … [Read more...]
Play Better
At Tanglewood, quite a long time ago, Louis Krasner told me a story. For many years, he was the concertmaster of the Syracuse Symphony. A benefit concert had been arranged. Leopold Stokowski was coming to conduct Beethoven's Fifth Symphony. The orchestra members speculated -- how would Stokowski conduct the iconic opening measures? Slow, with big fermatas? In tempo, à la Toscanini? What would the Maestro do? According to Krasner, Stokowski … [Read more...]
Masterclass
"Masterclass" -- the term makes me queasy. We had masters and slaves! A French boss can still be referred to as "Maître," as he is in Denis Dercourt's sadistic, delightful film centering around the life of a pianist, La tourneuse de pages. There's pervasive overuse of "Maestro" in orchestra land ("Will Maestro be joining us?"). My aunt Charlene, in best 1960s style, addressed my childhood birthday cards to "Master Bruce Brubaker." At New … [Read more...]