Pianists may need different kinds of hearing than what's needed to play the violin. Because the tuning of pitch doesn't require constant attentiveness -- I'm convinced there are rather good piano players who actually hear very little of what's happening as they play. More than other musicians, pianists are likely to intone or moan audibly while playing. It's pretty conclusive evidence that whatever those players hear is not objective. The … [Read more...]
Lineage
After a concert I played in Munich in May, there was a question-and-answer session. (I performed music written by Alvin Curran, Sylvano Bussotti, and Earle Brown.) One audience member asked if a performer of newish music still needs to study Chopin's etudes? Since the pervasive use of photography by visual artists, the question arises in art schools: "Do art students need to learn how to draw?" To the question in Munich, my immediate … [Read more...]
Triangle
I perform a piece with Butoh artist Maureen Fleming in which I play Philip Glass's Etude No. 5. The performance includes a video of Maureen moving, projected larger-than-life-size on a scrim. Behind the scrim, Maureen performs live. In front of the scrim, onstage, I sit at a piano and play the etude. Maureen made the video first. She started improvising movements and shooting video, with careful, subtle lighting. The movements are slow … [Read more...]
Tail wind
My flight to Los Angeles took over six hours. Coming back to the east coast with a strong tail wind making the flight easier and faster, the flight lasted only four hours and twelve minutes. Rudolf Serkin is sometimes credited with having said: "Playing the piano is easy, if everything goes well." Raising the question, "What about when it doesn't go well?" Then it's harder, then it takes more fuel. Then, you need to be an "expert," a "master," a … [Read more...]