My remarks at the beginning of the second of 13 concerts of Beethoven’s complete piano music played by New England Conservatory students during 2020. Let me tell you... I almost never do stand-up comedy on a Thursday night. Friday is better. Sometimes even Tuesday can be good. I mean not a Thursday though... tonight is a Thursday right — and you see what I mean. You can see how this is going, … [Read more...]
Ugly Beauty
"The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason." -- attributed to John Cage The sound coming from pianos (the physical, real sound) may displease the pianist. In trying out a concert piano, there are often several notes on the instrument that just can't be made to produce what is wanted. Those notes may need "voicing" -- a … [Read more...]
Up and Down
I turn on the radio in the car (where I usually listen to hiphop music) and hear a recording of Haydn's F-Minor Variations. I don't change the station. Within seconds, I'm thinking about the bright, separate envelope of every treble note in the recording. Lovely, but not really legato. Must be a German Steinway, I think. Whatever else pianists may be doing, in order to play piano music -- piano keys move vertically, down and then up again in … [Read more...]
Can’t get a word in
There is music that suffers in performance from conventionally good music-making. Mainstream classical playing seems to rely on clichés of "musicality" -- arching every phrase, breathing between groups, tracing all those lines up and then down again. Some pieces need different treatment. The first movement of Beethoven's Opus 101 is an extended, wordless run-on sentence. Theoretically, we may understand that no satisfying cadence in A major … [Read more...]
Same Key
"I would accept no hard and fast rule in program-making except one: that works in the same key should not follow one another. A varied succession of keys is required to stimulate the listener's attention." So says Alfred Brendel. That's standard advice about making a classical concert program -- don't play long stretches of music in the same key. Mr. Brendel, for example, rules out playing in one program Schubert's B-flat-Major Sonata and … [Read more...]
Mr. Brendel, thank you
My introduction of Alfred Brendel last night in Boston: In classical music, there are those who believe that thinking about music can compromise feeling -- compromise our emotional response to music. Alfred Brendel's example vividly shows us that such notions are foolish. Mr. Brendel scrutinizes the canonic texts of the piano repertory. He examines the behaviors of piano playing and musical life, and he's shown that deep reflection can yield … [Read more...]