Most props, most props, you could hold them in your hand. A suitcase. A tooth. A (shudders) doll. They’re part of the pleasure of theatre, the imagination made palpable. But sometimes, sometimes they stay imaginary. In the stonkingly vivid production of Little Baby Jesus by Tristan Fynn-Aiduenu, who won this year’s JMK award for emerging directors, the props are imaginary but so real you’d … [Read more...]