What makes a comedy? Perspective. Ask Shakespeare’s Malvolia, Titania, or Andrew Aguecheek if they’re living in a comedy and they’ll gaze at you with tear-stained incredulity. Publicly shamed, sexually humiliated, drugged and tricked into – oh yes – public sex with a donkey. Oh, how they laugh. Whether we laugh – or whether we’re encouraged to do so – depends on the production. Perhaps we … [Read more...]
Opening arguments
When Emma Rice was appointed artistic director of Shakespeare’s Globe earlier this year, it seemed an inspired choice. Irreverent, populist, she was director of Kneehigh. a company with a ballsy, outward-facing performance style splashed with visual and musical vigour. Her initial Globe interviews, however, wound me right up – she couldn’t stop banging on about how she struggled with Shakespeare, … [Read more...]
History boy
There are productions I’ve never seen that are burned onto my brain. As a teenage Shakespeare geek, I devoured books on stage history, describing landmark productions staged long before I was born. I read reviews and memoirs, saw the same few photos. Sally Beauman’s heartfelt history of the RSC was my bedtime reading (still is, sometimes). Last month John Wyver curated a season of films of RSC … [Read more...]