Maggie Smith clutches a pair of glasses throughout her 100-minute monologue in A German Life. She holds them in her right hand mostly, but never puts them on: they’re more decoy than accessory. As Brunhilde Pomsel – who worked as a secretary to Goebbels during the war, and whose reminiscences are the basis of this play by Christopher Hampton – Smith feints and dithers, quavers around remorse and … [Read more...]