‘You must have been quite an odd duck as a boy,’ I said to Barry Humphries, as the entertainer described his unusual devotion to Berlin cabaret artists, fostered in stuffy suburban Melbourne. ‘Yes, I was,’ he replied. He gave me a look. ‘I expect you were too.’ Guilty as charged: part of my duckery was also an interest in the sauce and swoon of Weimar performance – from Cabaret to Brecht/Weill … [Read more...]
Archives for May 2018
My week with swans
I’ve spent a week thinking about swans. Ballet swans, mostly, with feathery bodies, aching hearts. Last Thursday, Liam Scarlett’s richly imagined Swan Lake opened at the Royal Ballet, replacing a 31-year-old version and offering an opportunity to rethink the way the story is told. I took part in some of the events the Royal Opera House held in its wake – interviewing artists, facilitating … [Read more...]
Propwatch: the fans in The Way of the World
There’s no limit to how much bad acting you can do with a fan, if you’re in a folderol frame of mind. Point it for emphasis, snap it shut in high dudgeon. Make peekaboo eyes over the top or flutter it for the full coquette. It can easily become camp. Anyone who doesn’t enjoy costume drama onstage will be no fan of the fan. But it doesn’t have to be this way. Most of the props that sashay into … [Read more...]