For a show that might reshape the musical for the 21st century, there’s an awful lot of paper in Hamilton. The stage is a flurry of letters, ledgers, leaves and broadsides – it’s almost antiquated. Hamilton has sui generis swagger and the sound of something new, but it’s a story about what is written, what is read. It’s a show built on pen scratching furiously over paper. In 2009, Lin-Manuel … [Read more...]