Philip Ridley is that rare writer whose work alternately snares decadent adult and innocent child. PG to certificate 18 with nothing in between. Poisoned fairytales, gangland raptures, quests for the hungry heart and avid imagination. The Pitchfork Disney (1991) is an early Ridley play that marks his territory with alleycat assurance. Adult orphan twins, Presley and Haley (George Bagley and … [Read more...]