The past is another country: they drink things differently there. After the gin-marinated 1950s of John Osborne’s The Entertainer, this week I hit the whisky: in the 1960s Connecticut of The Red Barn and then with the 1970s Hampstead topers in Pinter’s No Man’s Land. Gin, in Osborne’s play, is predominantly a woman’s tipple: mother’s ruin, and the ruin of Archie’s maudlin wife Phoebe, loosening … [Read more...]