Misogyny, hanging round our culture like a bad smell, has floated past my theatrical radar recently. From London, the critic Andrew Haydon boggled that Medea ('pretty anti-woman propaganda, saying that they’re well nuts and a more than a bit witchy?') and A Streetcar Named Desire ('intensely woman-hating') still received major revivals, calling out both plays as misogynist, with their protagonists … [Read more...]