Performance Monkey's blurb claims that theatregoers sit in the dark. Well, not always. In fact, increasingly less often, as site-specific and promenade productions frequently exploit the visible presence of the spectators and implicate them in the show. None has been more eerie, for me, than Punchdrunk's phantasmagoric Faust in 2006. We crammed beaky white masks over our faces and wandered the … [Read more...]