Most drama we see on stage is historical drama - written, set or referencing the past. Do we ask it to fit our notions of a lost era? Some of these questions popped up the other evening at Barry Lyndon, part of a Stanley Kubrick season at the National Film Theatre in London. My, but it's a brilliantly strange movie - the 18th century but not as we know it. It's the kind of film which is often … [Read more...]