Criticism about popular comedy is tricky. Either you laugh or you don't: what else to say? Yesterday I saw plays by Britain's most frequently performed playwrights, Alan Ackybourn - two slices of his 1974 trilogy The Norman Conquests, revived with wonderfully shaggy panache by Matthew Warchus at the Old Vic. Ackybourn's faultless technique and deceptive suburban territory often declaw criticism … [Read more...]