[slideshow] I went for the downy thunderbolt of technique and expression possessed only by Russian ballet artists in Tchaikovsky’s “Swan Lake,” and I was not disappointed. The 200-person forcefield of sophistication, generosity and technical excitement that comes at you when St. Petersburg's Mariinksky Ballet and Orchestra (formerly Kirov) brings … [Read more...]
Benjamin Millepied Unveils his Gem-sized L.A. Dance Project
[UPDATE: Less than a year into this project, Millepied announced he was moving to Paris Opera Ballet, where he was offered the artistic director position. Since then, as the company toured the US and Europe, a series of exciting appointments unfolded: in 2014 James Fayette, another former City Ballet principal, became the company manager and in … [Read more...]
Ballet Geneve debuts Benjamin Millepied works
[This article first ran in the L.A. Times.] Touring with contemporary, soft-slippered ballets, Ballet du Grand Théâtre de Genève made its West Coast debut at the Dorothy Chandler Pavilion on Friday with a trio of eye-catching works set to canonical ballet music choreographed by Benjamin Millepied, now known widely for his work in “Black … [Read more...]
The Balance of Tension in Ratmansky’s new ABT “Firebird”
Igor Stravinsky’s sensational “Firebird” ballet demands a vivid design, and Simon Pastukh’s scorched, metallic forest (ignited by Wendell Harrington’s projections) along with Galina Solovyeva’s haute-goth costumes delivered a strong pop vision to Alexei Ratmansky’s new ballet for American Ballet Theatre. But on opening weekend at the Segerstrom … [Read more...]
Ratmansky’s “Firebird” for ABT Debuts Tonight in Costa Mesa
I can't wait to see what Alexei Ratmansky does with Stravinsky's "Firebird," premiering tonight during ABT's national tour. I keep thinking of the way Dumbledore's blood-red phoenix bursts into flames -- how fantastic is the mixture of avian hauteur with exploding flame. I'm also thinking of an amazing recreation of "Firebird"'s intensity at the … [Read more...]
La La La Human Steps Premieres Opera-hued “New Work” in U.S.
[This ran in the L.A. Times.] Thirty-plus years after founding La La La Human Steps, Montreal-based choreographer-director Édouard Lock has become a sort of philosopher-king for the fierce and intelligent abstract dance made popular in the 1980s. While other members of that chic choreographic wave (Bill T. Jones, Karole Armitage) have since … [Read more...]
Los Angeles Ballet Has Kick
[This review originally written for the LA Times.] Continuing to establish itself as a spirited and sophisticated -- if itinerant -- ballet company, Los Angeles Ballet opened its 2011-12 season over the weekend at the Alex Theatre in Glendale with a memorable cast for its distinctive, inspired “The Nutcracker.” As helmed by artistic directors … [Read more...]
Alvin Ailey on 24-City Tour
How to institutionalize the extraordinary? There is a lesson to be learned from the amazing success and vitality of the Alvin Ailey American Dance Theater, now in its 53rd year. Their current tour is packed with choreography to inspire and dancers to full-on worship. I reviewed Alvin Ailey American Dance Theater for the Seattle Times. The next … [Read more...]
Billy Elliot in Spades
The film “Billy Elliot” is a masterpiece of storytelling economy. Alongside its most famous thread — a young boy’s discovery of ballet — Lee Hall portrayed the impotent rage of a redundant working-class population (it’s set during the year-long strike of the British National Union of Mineworkers), the insularity and conformity of small-town England … [Read more...]
Benjamin Millepied talks Dance on Film
[this piece originally ran in the L.A. Times] Dancer Benjamin Millepied, 33, comes off as a bit of a highbrow pawn in "Black Swan," Darren Aronofsky's award-winning ballet-horror film. One imagines his character's pale hands, lifting Natalie Portman, as dull and mean and clammy. Off-screen, however, Millepied has the world in a wide, warm embrace. … [Read more...]