The inconceivable advocacy of a large percentage of Americans for Donald Trump to be the Republican Presidential nominee in 2016 began to make a little more sense upon reading the New York Times critic's ode to political correctness in his September 25th review of the Metropolitan Opera's seasonal premiere of Puccini's Turandot. The writer gave over much of his concluding paragraphs to yet … [Read more...]
Speight Jenkins on the art of Opera
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