“This new normal wherein everyone carries a small screen with them everywhere starts to have a grim, dystopic cast to it. It’s largely responsible for the loss of casual contact with the unfamiliar and the weird, with that which we did not choose, and—more to the point of my pet project—it doesn’t help bring anyone into contact with dance who wasn’t already interested in it. But then, surprisingly, it does; the screen also emerges as a vehicle that can introduce casual viewers to concert dance.”