“Yes, we actually looked at mid-century photographers who were photojournalists. A large part of them happened to be women, people like Ruth Orkin, Esther Bubley, Helen Levitt and then later Vivian Maier. These were photographers who were starting to experiment in color. So that gave me the idea of trying to reference a visualization of, let’s say, early Ektachrome, rather than Kodachrome, rather than color negative. And that’s why the colors have this kind of coolness/warm mixture.”