And with one hand, at that. She’s “among the most versatile, prolific and intriguing composers working under the vast new-music dome. She’s composed spectral, searching works for orchestra, choir, string quartet and percussion ensemble; collaborated with virtual-reality artists, dancers and poets; and studied with the likes of Samuel Adler, Martin Bresnick and Missy Mazzoli. … She has carved a unique sound as a composer by treating disability differently: not as an impediment but as a wellspring of creative potential.” – Washington Post