“What is a choreographer without a stage but a sad clown of God at a time like this? So Morris has retooled himself as a filmmaker. … There is a certain hallucinatory, Fellini-esque quality to this scene, where a giant of the dance world struggles to master the same awkward video technology that remote office workers are using to teleconference. And where top dancers are limited to a few feet of floor space and bad lighting, using bathroom doors as stage wings.” – The Washington Post