“In the past thirty years, the range and scope of American theatre has diversified, and yet most full-time critics in America are predominantly white. When theatremakers of color create art that seeks to prefigure the world we wish to live in, being reviewed by someone entrenched in a white supremacist hetero-patriarchal, capitalist gaze is counterproductive. Being reviewed by someone who is not able to meet our art where it is at is problematic.”