“The really important thing is that the musical ideas come out of the sound we collect. But the piece has a to tell a story; it has to exist for some reason.” Typical urban noise, like the revving of a car engine, the ringing of a bicycle bell, or the pitter-patter of pedestrian footsteps, can be found in virtually any city. So how do you make an audio portrait feel particular to the town it’s supposed to reflect?