Not everything in Anna Leonowens’s memoirs about her time at the Siamese court is a lie, but quite a lot is untrue, especially about Anna’s own mixed-race, plebeian origins. (For instance, she’d never even been to Britain when she went to Bangkok.) Thence come many of the problems in the musical, like the white-savior narrative. David Henry Hwang’s rewrite of the book of Flower Drum Song preserved the Rodgers and Hammerstein songs in a more sensitive context that’s workable for the stage today, and writer Sravya Tadapalli suggests one potential scenario for The King and I that could do the same. – American Theatre