From an 1805 concert for the gentry of Charleston featuring the first movement of the First Symphony through the flood of German immigrants in the 1840s, the establishment of orchestras in New York and Boston, and the rise of the Romantic cult of the lone genius, Beethoven’s music was what established both the habit of programming concerts focusing on dead composers’ works and the idea of classical music as an ennobling force with moral value. – Smithsonian Magazine