“Empowering the female lead may be a celebratory hook for selling a show, particularly given that women buy the bulk of Broadway tickets. But on closer inspection, it is rarely the women that require revision. … No, the real problem with these stories is the men. They are terrible, and yet they have the audacity to believe they can teach these women lessons, and to come out on the other side looking like plausible romantic leads. A modern production’s success rests on how it tames its man.” – The New York Times