• Home
  • About
    • Jumper
    • Diane Ragsdale
    • Contact
  • AJBlogs
  • ArtsJournal

Jumper

Diane Ragsdale on what the arts do and why

When does coaxing become coercing?

carrot-stickLast week I wrote a post on the efforts of foundations to encourage diversity (of various forms) in nonprofit arts organizations, in which I suggested that such efforts could be construed as a form of coercion. In particular, I discussed a new initiative at the Irvine Foundation and suggested that Irvine has been trying to “coax” its grantees into uncharted territory and “coerce” them into behavior that some are not ready or willing to adopt. In response to my post, Ted Russell at the Irvine Foundation tweeted the excellent question, “We’re coaxing. But when is that coercive?”

Yesterday, Barry Hessenius at Barry’s Blog wrote a post astutely synthesizing a few of the recent posts on this topic of “funding diversity” (including my own, for which I’m grateful) and offering his own thoughtful perspectives on several issues, including philanthropic coercion:

Individual organizations are less interested in systemic sector wide change, no matter how lofty the purpose or how much they may embrace the concept and agree with the goal.  It’s really not their job to do so.

But, it is the legitimate job of funders; and foundations that have determined that sector wide systemic change (of whatever sort) is one of their objectives, not only have the right, but arguably the obligation to implement strategies – even ones that make demands of their grantees – that they believe may help reach those objectives.  One can argue such strategies are ill conceived, that they don’t work, that being too ambitious without allowing ample time and resource allocation to give the strategies a chance to succeed is a formula for failure – but I don’t think their underlying attempt to make systemic change is necessarily coercive.  Or, if it is, I think they have the right to be coercive (and a lot of change comes about only becomes it is coerced.)  How else can systemic change come about, if no one is permitted to make even the attempt?

I’ve been thinking a lot about Ted Russell’s question the past few days. While I agree with Barry that foundations (to the limits of their tax codes) should be able to set priorities as they see fit, I would suggest that with the power that one wields as a major funder (in a particular field or region) comes the burden to take responsibility for not only where one’s investments are made, but where they are withdrawn.

I once heard a lecture at Stanford University by Jim Phills, Jr. (author of Integrating Mission and Strategy for Nonprofit Organizations) in which he said that the more desperate an organization is for resources the less control it has over its destiny (i.e., the more likely it is to do things that are not in line with its own mission and strategy in order to obtain resources).

To coax is to persuade gently and gradually.

To coerce has many definitions but as I’m using it I would suggest that it entails pressuring another party (through action or inaction) to act in a manner that goes against their will.

For an organization that has a history of funding from Irvine, then the current shift could result in two perceived threats: (1) loss of financial support that is critical and (2) loss of the imprimatur of the Foundation. Given the possible impacts of such losses, such an organization could quite reasonably begin to feel strong pressure to adopt strategies that are not currently in line with its mission, vision or values.

I understand that foundations change their strategies with good reason. As I mentioned in my last post, it seemed that Irvine was quite thoughtful in developing its new strategy. And Irvine may be “coaxing” (from its point of view).

But if its longstanding grantees perceive that they will be out in the cold if they are not on board with the new strategy?

Well, to my mind, this is where coaxing begins to feel like coercion.

Follow Us on FacebookFollow Us on TwitterFollow Us on RSS

@DERagsdale

Tweets by @DERagsdale

Recent Comments

  • Andrew Taylor on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Love this line of thinking, Diane! Although I also wonder about the many small, safe-to-fail ways you could explore randomness…” Feb 21, 22:54
  • Rick Heath on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Thanks Dianne Compelled and confused! (Not for the first time, and not entirely because of your words, but somewhat because…” Feb 5, 07:20
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Hi Ella! Thanks so much for taking the time to read and engage with the post. Thank you for reminding…” Feb 2, 18:19
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Caroline! Thanks so much for reading and sharing reflections. I am compelled by your idea to have an entire college…” Feb 2, 18:18
  • Diane Ragsdale on On a Strategy of Indeterminacy: Or, the Value of Creating Pathways to the Unforeseen: “Margaret, Thank you for taking the time to read and comment and for the warm wishes for my recovery. I…” Feb 2, 16:57

Archives

Subscribe to Jumper by Email

Enter your email address:

A Few Things I’ve Written

"Surviving the Culture Change", "The Excellence Barrier", "Holding Up the Arts: Can We Sustain What We've Creatived? Should We?" and "Living in the Struggle: Our Long Tug of War in the Arts" are a few keynote addresses I've given in the US and abroad on the larger changes in the cultural environment and ways arts organizations may need to adapt in order to survive and thrive in the coming years.

If you want a quicker read, then you may want to skip the speeches and opt for the article, "Recreating Fine Arts Institutions," which was published in the November 2009 Stanford Social Innovation Review.

Here is a recent essay commissioned by the Royal Society for the Encouragement of the Arts for the 2011 State of the Arts Conference in London, "Rethinking Cultural Philanthropy".

In 2012 I documented a meeting among commercial theater producers and nonprofit theater directors to discuss partnerships between the two sectors in the development of new theatrical work, which is published by HowlRound. You can get a copy of this report, "In the Intersection," on the HowlRound Website. Finally, last year I also had essays published in Doug Borwick's book, Building Communities Not Audiences and Theatre Bay Area's book (edited by Clay Lord), Counting New Beans.

Categories

  • artistic home
  • artistic processes and practices
  • Artistic Standards & Quality
  • arts and the pandemic
  • arts conferences
  • Arts Education
  • arts facilities
  • Asymmetric power dynamics
  • beauty
  • book recommendations
  • community
  • creative leadership
  • cultural leadership
  • Democratization of Culture
  • Economic Impact Studies
  • engagement
  • entrepreneurship
  • ethics
  • Funder Jargon
  • Innovation
  • institutionalism
  • interdependence
  • intrinsic value
  • leadership
  • nonprofit model
  • nonprofits and information disclosure
  • philanthropy
  • Pricing
  • purpose
  • subsidization of the arts
  • succession planning
  • Supply/Demand
  • sustainability
  • Uncategorized
  • Undercapitalization
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license