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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Listening to Coltrane’s “Ascension,” and what I’ve done. . .

Yesterday’s Concert dropped a podcast in which I offer guidance in listening even to challenging jazz recordings such as John Coltrane’s ambitious, gnarly Ascension.

And semi-shameless self-promotion: Music Journalism Insider has published a comprehensive career interview with me.

For Todd L. Burns’ invaluable, subscription-supported newsletter/platform about music journalism, I lay out at his request the steps that got me to my present point — writer/editor/radio producer/president of the Jazz Journalists Association, board member of the Jazz Institute of Chicago.

On Lance Ingram’s well-edited and scripted podcast digging into music as it sounds, I try to demystify “free jazz,” the idea of musical genres and subgenres, and the challenges of music that doesn’t conform to conventions, but has a lot of truth to tell.

My best friend tells me she was impressed with my enthusiasm in the verbal interview, but I am indeed excited still by listening to music and thinking about what that activity means or can do for us. I believe listening is a subjective experience that none-the-less coincides with external reality.

And re my career rundown: I seem to have done a lot, although I thought I was just kinda hanging out. Frankly, I don’t know what I could have done if I hadn’t done what I did.

Howard Mandel at Latin Jazz Festival, Humboldt Park, Chicago, July 16 2022, photo © Lauren Deutsch

And I have every intention of keepin’ on — listening, writing and working with others who are interested in the same.

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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