Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Acker Awards to Honor One-of-a Kind Artists

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I don’t know what the late Kathy Acker would think of an award given in her name to non-conforming artists. I assume an experimental punk novelist and poet would like the idea of supporting artists who don’t conform. Although awards are besides the point especially for non-conformists, they do generate publicity. And unless I’m wrong, […]

‘Just Like Real Life’

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William Cody Maher & Signe Mähler “two people who have been living together for a long time have learned how to live together with the objects and the thoughts and the feelings that they have had for each other and when the thoughts and feelings and the rooms and the objects change and even the […]

‘After the Revolution’: Heathcote Williams as Playwright

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Jay Jeff Jones writes in London’s Theatre Record: Like [Jeff] Nuttall, Williams was multi-talented and constant in his espousal of utopian anarchy. He was as uncompromising as he was compassionate; an intellectual force that alternated poetry and playwriting with direct action for causes that included the homeless, battered women and the environment. His first major […]

Opera: America’s War Without End

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Anthony Haden Guest calls “The Plain of Jars” — a chamber opera by Keith Patchel about America’s secret war in Laos — “the lineal descendant of Stravinsky’s ‘Nightingale’ and Alban Berg’s ‘Lulu’ and ‘Wozzeck.’” I haven’t seen it yet, but my staff of thousands tells me it “exposes the wounds caused by America’s use of […]

Music Theater Where Truth Can Appear

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The last time we looked it was a work in progress. That was a year ago. William Osborne and Abbie Conant had been working on it for so long, Osborne said at the time, that it felt like “forever.” But now their music theater chamber piece is about to get its world premiere. The name […]

Squatting at The Bunker in London

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Cycle One (previews begin April 17) ‘Slummers’ by Sonal Bhattacharyya ‘The Ruff Tuff Cream Puff Estate Agency’ by Heathcote Williams with Sarah Woods ‘Back to Back to Back’ by Stef Smith Cycle Two (previews begin April 18) ‘The Table’ by Lin Coghlin ‘Put The Schwarzes Into De-Stat’ by Nessah Muthy ‘The House With the Yellow […]

Love That Irish Brogue

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Are there any video promos for a play as inviting as this one for “The Pigeon in the Taj Mahal”? An exchange of comments: To my ears, Irish is the most beautiful English, an impression reaffirmed by three long bicycle trips through the West of Ireland. How did a country with half the population of […]

Where Black Lives Did Not Matter

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Headline: ‘A Tender Bond Confronts Racism. Racism Wins.’ One can only hope that headline does not apply to the outcome of today’s U.S. elections. In the many years I spent on Grub Street writing about the theater, Athol Fugard and the plays I saw of his stand out in memory for their eloquence and humanity. […]

A Music Theater Work in Progress

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Truth, or at least the effort to capture it, can be problematic. William Osborne and Abbie Conant have been working for several years on “Aletheia,” a music theater chamber piece for performance artist and digital piano. It feels like “forever,” he says. “The deeper we go the slower it reveals itself.” The ambition of the […]

‘Buried Child’ Surfaces in New Revival

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Sam Shepard recently referred to “Buried Child” as “the same clunky play” it always was, rewrites notwithstanding. That’s Shepard being candid. That’s Shepard being Shepard. Never mind that awkward dramaturgy and a little too much speechifying dialogue didn’t keep the play from winning the 1979 Pulitzer Prize for drama or Shepard from being declared the […]

A Blistering Attack on Wall Street — and Not Only That

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It’s also “a celebration of words that changed the world” directed by Paul Hodson, with live music by Dr. Blue. Poetry Can F*ck Off will feature “verse, lyrics, and music by Maya Angelou, Jim Morrison, Billie Holiday, Sophie Scholl, Emily Dickinson, Abu al-Qasim al-Shabbi, Martin Luther King, William Blake, Arundhati Roy, Victor Jara, Gil Scott-Heron, […]

Time Capsule: Algren, Burroughs, Mailer, et al . . .

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UPDATE The Z Collection is available for ordering on line. My staff of thousands insisted on a plug for me: The Z Collection: Portraits & Sketches — my reflections on many of the writers and artists I have known, worked with, or written about — is being published by AC Books in New York in […]

Cody Maher: ‘Another Day at the Office’

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So it’s back to the grind, which is absurd but apparently necessary for the GDP. Here’s something to chew on besides the turkey leftovers: Subject I He appeared in our office dressed in uniform. He was asking us to believe that he had ever fought for anything in his life. The uniform didn’t go with […]

‘Hello!’ — ‘The Duchess of Malfi,’ or ‘A Dead Pussy’

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Selma Hayek asks and Heathcote Williams answers. She: “I had this cousin from Mexico who had two very jealous brothers.And one day she confronted them, and she said: ‘Stop spying on my pussy!’”He: “I so wish I’d met you before. I could have used that line.” EmailFacebookTwitterReddit

‘Killing Kit’ to Be Staged in London Try Out

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Heathcote Williams’s first new play in many years is to open Sept. 21 at The Cockpit, where it received a reading last February. The company advertises itself as a radical fringe “theatre of disruptive panache, angry critique and useful, progressive ideas for the future.” “Killing Kit” traces “the volcanic life and mysterious death of Christopher […]

Touring ‘Poetry Army’ Charts History of Radical Verse

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A posting by the Stop the War Coalition: From The Peasants’ Revolt to recent events at Tahrir Square, this incendiary performance celebrates radical verse in all its glory down through the centuries. The longstanding collaboration between poet Heathcote Williams and performer Roy Hutchins, encompassing such hits as Whale Nation and Autogeddon, continues as Hutchins combines […]

They Made Rabelais Look Like a Church Picnic

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Otto Petersen and George Dudley have died. The NYT has an obit for the ventriloquist, calling him “the Voice of Vulgarity.” But there is no separate obit for George, the foul-mouthed dummy who delivered all the tasteless lines that made audiences laugh or walk out. Margalit Fox, whose great lede I stole for my headline, […]

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