“A face long unloved will at some point grow ugly,
As unkissed features untended will as with an unkempt
Garden grow wild . . . ”
— David Erdos
Arts, Media & Culture News with 'tude
by Jan Herman
by Jan Herman
“Vivian Gordon went out before midnight in a velvet dress and mink coat. Her body turned up the next morning in a desolate Bronx park, a dirty clothesline wrapped around her neck. At her stylish Manhattan apartment, detectives discovered notebooks full of names—businessmen, socialites, gangsters. And something else: a letter from an anti-corruption commission established by Governor Franklin Delano Roosevelt. … Had Vivian Gordon been executed to bury her secrets?” — Union Square & Co. (the publisher)
by Jan Herman
If ever there were a question that political posturing is show biz, Nikki Haley settled it at a rally in South Carolina. She was doing an anemic imitation of a mesmerizing George C. Scott in the opening scene of “Patton.” Missing were the medals and martial music, thank god, which contributed mightily to Scott’s classic performance. Of course Trump has been doing his stale imitation for years.
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
Before it disappears too far into the distance, let me just say how much I enjoyed Adam Gopnik’s recent take in The New Yorker on the relationship between Pissarro and Cézanne: “How Camille Pissarro Went from Mediocrity to Magnificence.” Not least, it gives me the chance to post an etching of the two of them made in the early 1980s by Gerard Bellaart, who has for many years seared into my brain his love of both painters.
by Jan Herman
That is a key question posed by Jascha Hannover’s “The Books He Didn’t Burn,” a documentary to be featured in its U.S premiere at the Jewish Film Festival on Jan. 15 at Lincoln Center in New York. Its relevance to the beliefs of today’s white supremacists and rightwing Christian nationalists is stunning.
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
“Four hundred years ago yesterday saw the first printing of one of the great wonders of the literary world: Shakespeare’s First Folio. Published in 1623, seven years after he died, it was the first printed edition of the collected plays. Without this achievement, half of Shakespeare’s dramatic work would have been lost.” — Folio 400
by Jan Herman
It is widely acknowledged that Shakespeare lacked a university education — there is no record of it — unlike his contemporaries or near-contempories, such as Marlowe, Greene, Jonson, Nashe, Beaumont, Fletcher, so forth. Despite that, he was a greater writer than any of them, and pilfering was part of his toolkit. As Anthony Burgess notes in his biography of Shakespeare, he not only took plots and stories for his plays — this too is widely acknowledged — but also “filched” entire passages (plagiarized them, if you will) and in the process improved them immeasurably.
by Jan Herman
by Jan Herman
by Jan Herman
“A visionary prophetic book written when the Hippies and Yippies were dissolving the Sixties, which didn’t give us the political and social change needed . . . Pélieu saw Céline’s words become the reality: ‘The poetry of heroism appeals irresistibly to those who don’t go to war, and even more to those whom the war is making enormously wealthy’.”— Charles Plymell
an ArtsJournal blog